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Solange’s son Daniel “Julez” Smith Jr. is shining a light on the tough part of fame.
In a recent livestream, the 21-year-old was asked, “What’s the hardest part about being you?” to which he…
 

Nicole Kidman is bringing it back to the 1990s. 
After all, the Practical Magic star put her curly hair on display in a rare photo on Instagram March 18, in a behind-the-back snap of herself and…
 

Palak Tiwari is ready to take a big step in her career as she makes her debut on OTT with the upcoming series Lukkhe. The actress will be seen sharing screen space with King, which has already created a lot of excitement among fans. The makers released the trailer recently, and it has received a very positive response. Many viewers are calling it impressive and engaging.

The series also features a strong supporting cast including Raashi Khanna, Lakshvir Saran, Shivankit Parihar, Nakul Roshan Sahdev, and Kritika Bhardwaj. The show is directed by Himank Gaur, who is known for his unique storytelling style.

While not many details about the story have been officially shared yet, the trailer gives a glimpse into an intense and emotional journey. It follows a young sportsman who enters the risky world of Punjab’s rap music scene to investigate a drug network. As he goes deeper into this world, he finds himself caught between love, family, guilt, and friendship. This mix of emotions and action is what makes the series look promising.

Palak shared the trailer on her social media and expressed her excitement about the project. This series is an important milestone for her as she explores a new format and takes on more challenging roles. Over time, she has been steadily building her career and gaining popularity among audiences.

Meanwhile, her mother Shweta Tiwari, who became a household name with the popular show Kasautii Zindagii Kay, recently spoke about raising Palak as a single parent. In an interview, she shared how she focused on teaching discipline and responsibility from a young age. She explained that while she was not very strict, there were clear rules at home. For example, if Palak had a curfew, she was expected to follow it properly.

Shweta also made sure her daughter stayed safe by keeping contact details of her friends and their families. She said this helped her stay informed and act quickly if needed.

On the work front, Palak is also part of Ustaad Bhagat Singh alongside Pawan Kalyan and Sreeleela. She is also busy shooting for Farzi 2, with Shahid Kapoor confirming his return.

With Lukkhe, Palak Tiwari seems all set to reach new heights and win over an even bigger audience

Daniela Elstner, who, without naming Bruel, has spoken about the alleged assault in the past, accuses the French star of forcing himself on her in 1997. Bruel’s lawyer has denied all allegations against his client. 

Song Chand Dekh Lena
Lyrics Sameer Anjaan
Music Himesh Reshammiya
Singer Nihal Tauro & Ankona Mukherjee
Lable Salman Khan Music

Check out Maatrubhumi – Chand Dekh Lena Song Lyrics starring Salman Khan, Chitrangda Singh

Yaadon ke gehre saaye jab
Pal pal tumhe tadpayenge
Woh saath guzare har lamhe
Jab jab dil dhadkayenge

Tum chand dekh lena
Tumhe hum nazar aayenge
Tum chand dekh lena
Tumhe hum nazar aayenge
Tum chand dekh lena
Tumhe hum nazar aayenge

Hum bhi chandni mein
Tera aks dekh lenge sanam
Door reh ke bhi aankhon se
Door na rahenge hum

Yeh faaslon ke samundar jab
Pal pal tumhe tadpayenge
Khamosh parinde raaton ko
Jab jab dil dhadkayenge

Tum chand dekh lena
Tumhe hum nazar aayenge
Tum chand dekh lena
Tumhe hum nazar aayenge

Jab door kahin hum jaayein
Afsos kabhi na karna
Chupke se chhat pe aana aur
Baahon mein tum humko bharna
Baahon mein tum humko bharna
Baahon mein tum humko bharna

Sannaton mein darwaaze jab
Pal pal tumhe tadpayenge
Soone kamron ke andhere
Jab jab dil dhadkayenge

Tum chand dekh lena
Tumhe hum nazar aayenge
Tum chand dekh lena
Tumhe hum nazar aayenge
Tum chand dekh lena
Tumhe hum nazar aayenge

It turns out The Secret Lives of Mormon Wives is a democracy.
After news that filming on season five of the reality series has been paused in the wake of star Taylor Frankie Paul’s…
 

Other artists booked to perform at SXSW London in June include soft rock’s Infinity Song, DJ Pete Tong, and Jamaican Guyanese singer-songwriter Amaria BB. 

There’s a certain myth people like to believe about actors in India. That they were always meant for the screen. That they had connections, luck, or some clear path laid out in front of them. But if you look closely at how many well-known actors actually started, that idea falls apart pretty quickly.

Take Shah Rukh Khan. Before he became one of the most recognizable faces in the world, he was just a young man in Delhi trying to figure things out. He spent time doing theatre, picked up small television roles, and even helped run a restaurant for a while. There was no grand entry plan into films. It was a mix of hustle, chance, and persistence.

Something similar shows up in the story of Rajinikanth, whose early life is almost hard to believe when you compare it to where he ended up. He worked as a bus conductor in Bangalore, a job that required long hours and routine. People who knew him back then often say his style and presence were already visible, just not on a film set.

Then there’s Nawazuddin Siddiqui, whose journey feels less like a straight line and more like a long detour. He worked as a chemist in a factory, then as a watchman in Delhi, all while trying to stay connected to theatre. For years, he took on roles so small they were barely noticed. His success didn’t come quickly, and when it did, it felt earned in a very different way.

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A post shared by Nawazuddin Siddiqui (@nawazuddin._siddiqui)

Akshay Kumar’s story moves through a completely different world. He spent time in Bangkok working as a chef and waiter, learning discipline through physical work. Later, he taught martial arts in Mumbai. Acting wasn’t even the original plan. It entered his life almost by accident, through modeling.

In some cases, the shift to acting happens much later than people expect. Boman Irani worked as a waiter at the Taj Hotel, helped run a family bakery, and built a career as a photographer before stepping into films in his forties. By then, he had already lived several lives outside cinema.

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A post shared by D’YAVOL X (@dyavol.x)

For Johnny Lever, the starting point was the street. He sold pens in Mumbai, using mimicry to grab attention and make sales. Those performances, done out of necessity, slowly turned into something more. They became his training ground.

Pankaj Tripathi’s early years were just as grounded. He worked in a hotel kitchen and stayed close to theatre in whatever way he could. Acting came into focus gradually, not as a sudden decision but as something that kept pulling him back.

Even Smriti Irani, long before television fame and politics, worked at a fast-food counter while trying to find opportunities in Mumbai. And Arshad Warsi spent time selling cosmetics door-to-door and assisting in a photo lab before finding his footing in dance and eventually films.

What ties all of these stories together is not struggle for the sake of drama, but the absence of a clear starting point. None of these people began with the certainty that they would become actors. Most of them were simply working, earning, and trying to move forward in whatever way they could at the time.

It also changes how you look at success. For many of them, it didn’t arrive early. It took years of doing unrelated jobs, small roles, or things that had nothing to do with cinema on the surface. Acting, when it finally happened, was not a leap but a slow shift.

If anything, these journeys make the film industry feel less like a closed world and more like something people arrive at from all directions. Not always through the front door, and rarely in a straight line.

The truth is simple. We haven’t met an alien. Not once. And yet, we already don’t trust them. Long before any real contact, we’ve written their character for them. In film after film, aliens arrive with one purpose: to invade, destroy, or dominate. It’s a strange instinct. Faced with the unknown, we don’t imagine curiosity. We imagine conflict. That says less about extraterrestrials and more about us.

Mainstream science fiction has trained us to expect the worst.

In Independence Day, aliens blot out the sky before wiping out entire cities. War of the Worlds turns them into unstoppable forces of extinction. The creature in Alien is pure survival horror, while Predator reduces humans to prey.

These stories work because they tap into something primal. The fear of being outmatched. The fear of invasion. The fear of losing control.

But they also echo real, human anxieties. Cold War paranoia. Technological dread. The idea that something more powerful could arrive and treat us the way we’ve often treated each other.

Aliens become a convenient stand-in. A blank canvas for our worst-case scenarios.

A smaller set of films asks a different question. Not how do we fight them, but can we understand them.

Arrival is built on language, not weapons. The tension comes from translation, from the risk of misunderstanding something entirely unfamiliar. Contact treats alien life as distant, intelligent, and oddly reassuring.

Then there’s District 9, which flips the script. The aliens aren’t conquerors. They’re stranded, marginalized, and controlled. Humans, in this case, hold the power and misuse it.

Annihilation goes further still. Its alien presence isn’t hostile in any clear way. It’s simply beyond human logic, forcing us to confront the limits of how we define intent, threat, and meaning.

These films are quieter, but they linger longer. They don’t offer easy answers.

Friendly aliens are rare enough that we remember them instantly.

E.T. the Extra-Terrestrial gave us a visitor who was lost, gentle, and deeply human in emotion. In India, Koi… Mil Gaya introduced Jadoo, not as a threat but as a healer and companion. Even the irreverent Paul and the emotional arc of Super 8 push in the same direction. The alien isn’t the danger. Our reaction to it is.

These stories stand out because they challenge the default. They suggest that the unknown doesn’t have to be hostile. It can be curious. Vulnerable. Even kind.

Part of the answer is practical. Conflict drives attention. An alien invasion gives you instant stakes, clear heroes, and a ticking clock. It’s easy to sell and easy to follow.

But there’s a deeper layer. Humans are wired to be cautious of what we don’t understand. When the unknown is as vast as an advanced extraterrestrial species, caution quickly turns into suspicion. Suspicion turns into imagined threat.

So we write aliens the way we prepare for danger. We assume the worst and build stories around surviving it. In doing so, we reveal a quiet truth. Our first instinct isn’t to communicate. It’s to defend.

For all our speculation about life beyond Earth, alien stories rarely predict the future. They reflect the present. They show how we process difference. How we react to power we don’t control. How quickly we divide the world into “us” and “them.”

That’s why the gentler stories matter. They don’t just imagine better aliens. They imagine better humans.

Because if we ever do meet life beyond Earth, the real question won’t be what they want from us.

It will be what we assume about them before they even speak.

Television actors Divyanka Tripathi and Vivek Dahiya have shared some wonderful news with their fans. After ten years of marriage, the couple is expecting their first child. They revealed this happy moment through a beautiful maternity photoshoot and a heartfelt message that touched many hearts.

Divyanka shared the pictures on social media and wrote an emotional caption about their journey. She expressed that some things in life are not meant to be rushed. Instead, they happen when the time feels right. She described this moment as a new and beautiful chapter in their lives, adding that they are still taking it all in and feeling grateful and happy.

The photos from the shoot reflect their joy and love. Both Divyanka and Vivek are dressed in simple white outfits, giving the pictures a calm and warm feeling. In one photo, Vivek is seen hugging Divyanka from behind, placing his hands on her baby bump and forming a heart shape. Another picture shows the couple looking into each other’s eyes, clearly filled with happiness and excitement.

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A post shared by Divyanka Tripathi Dahiya (@divyankatripathidahiya)

One of the most touching moments from the shoot is a picture where Vivek holds a tiny pair of baby shoes. This simple detail beautifully shows that they are getting ready to welcome their little one soon. In another photo, the couple stands close together as Vivek gently holds her baby bump, both smiling with pure joy.

Divyanka and Vivek’s love story began on the sets of the popular television show Yeh Hai Mohabbatein. Divyanka played the role of Dr Ishita, while Vivek appeared as ACP Abhishek Singh. Their friendship slowly turned into love, and they got married on July 8, 2016, in Bhopal. Later, they celebrated with a grand reception in Chandigarh.

Over the years, Divyanka has become one of the most loved faces on Indian television. She first gained popularity with her role in Banoo Main Teri Dulhann and has continued to win hearts with many successful shows.

Now, as they step into this new phase of life, fans are showering them with love and blessings. This announcement truly marks a joyful milestone in their journey together.