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Actor Hansika Motwani recently visited the Golden Temple in Amritsar following her divorce from Sohael Khaturiya, drawing attention to both her personal life and her apparent focus on spirituality during this phase. Photos shared on her social media showed the actor smiling calmly, offering a composed and reflective presence that contrasted with the recent developments in her personal life.

Hansika shared a series of images from her visit on Instagram, accompanied by the caption, “Held by Him, always. Waheguru di meher naal.” The statement, rooted in faith, indicated a sense of surrender and trust in divine guidance. Her visit to the Golden Temple, one of Sikhism’s most sacred sites, appeared to reflect a personal moment of introspection rather than a public statement, though it inevitably drew widespread attention given the timing.

The visit comes shortly after Hansika and Sohael Khaturiya officially ended their marriage. The couple, who had tied the knot in December 2022 in a high-profile wedding at Mundota Fort and Palace, were granted a divorce by a family court in Mumbai. Their separation, finalized a little over three years after their wedding, followed months of speculation about difficulties in their relationship.

Rumours regarding strain in their marriage had been circulating since the previous year, particularly after Hansika removed several photos and videos featuring Sohael from her social media accounts. At the time, she did not address these speculations publicly, maintaining silence despite increasing curiosity among followers and media outlets.

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According to reports, the divorce was filed by mutual consent, with Hansika reportedly choosing not to seek alimony as part of the settlement. During court proceedings, her legal representative, advocate Adnan Shaikh, stated that the couple had lived together only for a limited period after their marriage. Over time, differences in temperament, lifestyle, and personal outlook reportedly became more apparent, leading to frequent disagreements.

Details included in the plea suggested that the couple often argued over relatively minor issues, which gradually escalated into persistent conflict. These ongoing disagreements made it difficult for them to sustain the relationship, eventually leading to the decision to separate. Despite efforts from family members and close associates to reconcile the differences and encourage the couple to continue their marriage, these attempts were ultimately unsuccessful.

The report further noted that Hansika and Sohael had been living separately since July 2, 2024, indicating that the decision to part ways had been under consideration for some time before being formalized legally. Their separation highlights the challenges that can arise even in high-profile relationships, where public visibility often amplifies personal developments.

In the midst of these events, Hansika also shared a cryptic message on her Instagram Stories, writing, “Chardi Kala always.” The phrase “Chardi Kala” is a significant concept in Sikh philosophy, symbolizing a state of optimism, resilience, and unwavering positivity regardless of circumstances. Rooted in the teachings of Guru Gobind Singh, the idea emphasizes maintaining high spirits and faith even during difficult periods.

By referencing this concept, Hansika’s message appeared to reflect a mindset focused on moving forward with strength and composure. While she has not made any direct or detailed public statements about the divorce, her recent actions—including her temple visit and social media posts—offer insight into how she may be navigating this transition.

Overall, Hansika Motwani’s visit to the Golden Temple, combined with her understated public responses, suggests a deliberate choice to approach this phase of her life with privacy, reflection, and a sense of spiritual grounding, rather than engaging in extensive public discussion.

Ava DuVernay is shining the spotlight on her love.
Indeed, the Selma director went public with her relationship at the 2026 Oscars as she made her red carpet debut with her boyfriend. 
When…
 

The Emmy winner posts a detailed response to a Green Lantern comic writer criticizing his “green is stupid” comment in regards to his upcoming HBO show ‘Lanterns.’ 

Actor Tom Holland has generated widespread attention online after announcing a new promotional strategy tied to his upcoming film, Spider-Man: Brand New Day. The announcement, shared through his social media platforms, introduced an unconventional approach to trailer releases, placing fans at the center of the campaign in a way that has not been commonly seen in mainstream film promotions.

In his message, Holland indicated that the campaign would unfold globally, with audiences from different regions participating in a coordinated effort to reveal portions of the film’s trailer. Rather than a single, centralized release, the trailer will be unveiled in segments, with selected fans playing a direct role in sharing or unlocking these pieces. This approach marks a departure from traditional marketing strategies, which typically rely on studio-led releases across official channels.

The concept behind the campaign appears to be rooted in audience engagement, particularly in leveraging the strong global fan base associated with the Spider-Man franchise. By involving fans directly, the campaign introduces an interactive element that extends beyond passive viewing, encouraging participation and sustained attention as the trailer is gradually revealed. While details on the exact mechanics of participation remain limited, the announcement suggests that fans will need to follow updates closely to track the progression of the campaign.

This strategy also reflects broader trends in digital marketing, where studios increasingly explore ways to create more immersive and participatory experiences. In this case, the segmentation of the trailer could encourage repeated engagement across multiple platforms, as audiences look to piece together the full preview. It may also amplify online discussions, with fans sharing and analyzing each segment as it becomes available.

The campaign has already generated notable interest, particularly in regions with large fan communities, including India. The Spider-Man franchise has historically enjoyed strong popularity in the country, and Holland’s portrayal of the character has contributed to that appeal among younger audiences. As a result, the fan-driven nature of the campaign is likely to resonate with viewers who are already highly active on social media platforms.

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At the same time, the approach raises questions about how effectively such a distributed release can maintain coherence and momentum. While the interactive element may increase engagement, it also depends on consistent coordination and participation from fans across different regions. The success of the campaign may ultimately hinge on how accessible and inclusive the process is for a wide audience, rather than a limited group of selected participants.

Another aspect of the campaign is its emphasis on timing and global synchronization. Holland’s reference to a “Brand New Day” beginning across the world suggests that the rollout may follow a structured timeline, potentially aligning releases across time zones. This could create a sense of shared experience among fans, even as the trailer is revealed in parts rather than all at once.

Overall, the announcement highlights an evolving approach to film promotion, where studios and actors experiment with new formats to capture audience attention in a crowded digital environment. By shifting some level of control to fans, the campaign for Spider-Man: Brand New Day attempts to blur the line between audience and participant, making the promotional process itself part of the entertainment experience.

As more details emerge, it will become clearer how the campaign functions in practice and whether it sets a precedent for future film marketing strategies. For now, the announcement has succeeded in generating curiosity and discussion, positioning the trailer release as an event in its own right rather than a routine promotional step.

Jessi Ngatikaura is setting the record straight.
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Alix Earle, Penny Lane, Achieng Agutu and Camille Kostek will return to the fold, while model Meredith Mickelson will make her brand debut. 

Pop royalty BTS are just a few days away from their long-awaited comeback. The K-pop stars will release their fifth studio album, Arirang, on March 20, followed by the documentary BTS: The Return on March 27. Ahead of its release, Netflix released the trailer, offering a glimpse into the making of their new album after completing their military service.
BTS consists of seven members – RM, Jin, Jimin, Jungkook, V, Suga and J-Hope.
This feature-length documentary comes from acclaimed director Bao Nguyen and renowned producers Martha, Karol G and HYBE. The film offers unprecedented access, following BTS as they come back together to begin a reunion set to be etched in pop culture history, while reflecting on the journey that transformed seven Korean members into global icons.
Since their debut in 2013, BTS has built one of the most devoted fan communities in the world. After completing South Korea’s mandatory military service, the seven members reunite in Los Angeles to make music together, returning to a shared creative space shaped by time apart and personal change. As millions of fans await the comeback of the decade, BTS confronts quieter questions: how to begin again, how to honour the past without being bound by it, and how to move forward together.
In the trailer, the members can be heard talking about what it means to be a part of a band like BTS and how authenticity matters more than anything for the album. RM, the leader of the group, says, “At our core, we’re still just a bunch of country kids from Korea. In the military, time just passed by. But here in LA, you really feel the impermanence of time. And we are trying to find out what makes us BTS. I’ve spent half of my life with them. My second family.”
Watch the trailer here:

Through moments of doubt, laughter, and rediscovery, they create new music that reflects who they are now, culminating in what will become a landmark album of its time. Intimate, emotional and often joyful, BTS: The Return is a story only BTS can tell: a portrait of resilience, brotherhood, and reinvention.

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It will start streaming on  Netflix from March 27.
Also Read: BTS: Srinivasa Mangapuram Makers Unveil Rasha Thadani’s Glimpse on Her Birthday

The 98th Academy Awards recently concluded, but the ceremony has disappointed many Indian cinema fans and the family of the late veteran actor Dharmendra. The veteran star, who passed away at the age of 89 in November 2025, was absent from the televised In Memoriam segment during the Sunday night broadcast. Reacting to the omission, his wife Hema Malini described the move as a shame.

In a recent conversation with Bollywood Hungama, Hema Malini expressed her hurt over the Academy’s decision to overlook the global impact of the He-Man of Indian cinema. She said, “It is a shame, of course. A shame for them to have overlooked an actor who means so many things to so many people in many parts of the world. Dharamji was known and recognised everywhere.

Despite his massive contribution to the industry over several decades, Hema pointed out that Dharmendra was often overlooked when it came to accolades. She said, “He never got too many awards during his lifetime. Why should he care about the Oscars? Both of us were happy to be loved in our country. But awards always eluded him. Even I didn’t get any award for my best performances in Lal Patthar and Meera.

The tribute segment at this year’s Oscars was longer than usual, running 15 minutes and featuring remembrances for Hollywood icons like Robert Redford, Diane Keaton, and Rob Reiner. While Dharmendra did not appear in the televised tribute, he was included in the official online gallery released by the Academy of Motion Picture Arts and Sciences. He was listed alongside other Indian cinema greats, including Manoj Kumar, Saroja Devi, Jayasree Kabir, Kota Srinivasa Rao, and documentary filmmaker S. Krishnaswamy. Earlier, Dharmendra’s daughter, Esha Deol, also shared her thoughts on the matter. She shared that her father would likely have remained unbothered by the lack of a mention, saying he was never someone to dwell on such matters.

Dharmendra passed away on November 24, 2025, after a brief period of illness. His final cinematic appearance was in the film Ikkis, directed by Sriram Raghavan, which was released on January 1, 2026. While the film received critical acclaim for his performance, it saw a decent run at the box office.
Also Read: “I Miss Him Every Single Minute”: Hema Malini on Tribute Given to Dharmendra at BAFTA 2026

Actress Rasha Thadani turned a year older on March 16 and marked the occasion with a warm celebration alongside friends, family and the media. She was joined by her mother, actress Raveena Tandon, as she cut her birthday cake in the presence of the paparazzi.
The mother-daughter duo shared a sweet moment, with Raveena feeding Rasha a bit of cake and planting a kiss on her forehead. They also posed together for the cameras. Rasha later offered cake to the paparazzi.

For the occasion, the birthday girl opted for a chic black outfit, keeping it simple yet stylish. The party was also attended by her friends such as Tamannaah Bhatia, Aaman Devgan, Fatima Sana Shaikh and Alaya F.

Take a look at the photos:

The filmmaker spoke during a morning session at the Copenhagen documentary festival’s CPH:Conference about moving from producing to directing and her hopes for the project.