The release of the first trailer for Dune: Part Three has generated significant discussion online, with much of the attention centered on Robert Pattinson and his striking transformation for the role of Scytale. Directed by Denis Villeneuve, the upcoming installment continues the expansive science fiction narrative, but it is Pattinson’s unexpected appearance that has quickly become a focal point of audience reactions.

In the trailer, Pattinson appears with a dramatically altered look, featuring bleached eyebrows, a closely cropped buzz cut, and a noticeably intense screen presence. The visual transformation marks a departure from his previous roles and reinforces the film’s darker tone. His portrayal of Scytale, a complex and enigmatic antagonist from Frank Herbert’s literary universe, introduces a new layer to the evolving storyline. While only brief glimpses of the character are shown, the styling and presentation suggest a performance that leans heavily into psychological depth and ambiguity.

Following the trailer’s release on Warner Bros.’ official platforms, social media users quickly began sharing their reactions. Many viewers expressed surprise at Pattinson’s transformation, noting how different he appears compared to earlier roles, including his widely recognized performance in Twilight. The contrast between his past image and this new portrayal has contributed to renewed discussions about his range as an actor.

Several reactions highlighted the perceived intensity of his performance, even from the limited footage available. Some viewers described his transformation as evidence of his willingness to take on challenging roles, while others suggested that this could mark another significant step in his career progression. The discussion also extended to comparisons with other actors known for physical and stylistic transformations, including Christian Bale, who is often associated with immersive role preparation.

In addition to performance-related commentary, audiences also drew visual comparisons between Pattinson’s appearance and characters from other films and franchises. Some noted similarities to Sting’s portrayal of Feyd-Rautha in Dune (1984), directed by David Lynch, referencing the distinctive styling used in that earlier adaptation. Others likened his look to characters from broader popular culture, including figures from Game of Thrones, based on shared visual traits such as light-colored hair and sharp features.

Additional comparisons referenced Rutger Hauer’s performance as Roy Batty in Blade Runner, suggesting that Pattinson’s portrayal might evoke a similarly intense and memorable screen presence. These parallels reflect how audiences often interpret new performances through the lens of established cinematic references.

Beyond appearance, some discussions focused on the nature of the character itself. Scytale is known in the source material as a “Face Dancer,” a being capable of altering identity and appearance. This aspect of the role has led to speculation about how Pattinson will approach the character’s fluid identity on screen. For some viewers, casting an actor known for his versatility adds an additional layer of intrigue to the role.

The reaction also reflects broader expectations for Dune: Part Three, which is positioned as the concluding chapter in Villeneuve’s trilogy. As anticipation builds, individual elements such as character reveals and stylistic choices are receiving heightened scrutiny. Pattinson’s introduction into the franchise represents one of the major new additions, and his performance is likely to play a key role in shaping audience perceptions of the film.

Outside of this project, Pattinson continues to maintain a varied slate of upcoming work. He is set to appear in multiple films across genres, including drama, fantasy, and heist narratives, indicating an ongoing effort to diversify his portfolio. This aligns with his recent career trajectory, which has emphasized unconventional roles and collaborations with distinctive filmmakers.

Overall, the response to Pattinson’s appearance in the trailer highlights how a single visual reveal can generate widespread discussion. While it remains to be seen how the performance will be received in full, the initial reactions suggest strong audience interest in both the character and the film’s evolving narrative.

 

During a session at the Copenhagen documentary festival’s industry conference, the Irish filmmaker also spoke about only filming people she’s really drawn for docs and why she may turn to fiction next. 

“The U.K. has an incredible musical heritage,” said the award-winning composer. “Being closer to that energy allows us to keep reimagining what screen music can be.” 

There’s something familiar about the way filmmaker Aditya Dhar is building anticipation around Dhurandhar: The Revenge. His note to the audience feels warm and genuine, rooted in a filmmaker’s belief in the theatrical experience. He asks viewers not to share spoilers and writes, “We’ve put our hearts into Dhurandhar: The Revenge so you can experience every twist, every emotion, exactly the way it’s meant to be felt… in a theatre, in the dark, surrounded by friends, family, and even strangers.” It’s a simple, heartfelt request in a time when films are often reduced to clips and quick reactions online.

But then comes the line that changes everything, “Oh, and one more thing. Don’t leave your seats until the credits have stopped rolling ”

That one sentence does more than tease. It hints.

Audiences today immediately recognize what that could mean, largely because of how Marvel Studios has shaped viewing habits over the years. In films like The Avengers and many that followed, fans learned to stay back through the credits, waiting for a final reveal or an extra scene. What started as a novelty turned into a ritual. People don’t just sit through the credits out of curiosity anymore, they do it with expectation.

These moments often go on to become bigger talking points than parts of the film itself. A brief scene at the end can spark theories, hint at what’s coming next, or simply leave the audience with one last surprise that lingers long after they’ve left the theatre. Conversations online and offline tend to revolve around that final reveal, sometimes even driving more people to watch the film just to be part of that discussion.

Dhar’s request feels like a clear nod to that culture. It’s not common for mainstream Hindi films to openly tell audiences to stay till the very end unless there’s a reason. And that reason, more often than not, is something the filmmaker believes will add to the experience rather than just extend it.

What stands out is that this doesn’t feel like a gimmick. His earlier words about experiencing the film collectively, in a dark theatre with strangers sharing the same emotions, connect directly to this final instruction. It’s almost as if he’s saying that the experience isn’t complete until the very last frame has played out.

By asking viewers not to spoil the film and at the same time hinting at something waiting at the end, Dhar is setting up a quiet understanding with the audience. Respect the experience, be patient, and you’ll get something more.

If it lands well, Dhurandhar: The Revenge may not just be talked about for its story or performances, but for that one moment people didn’t see coming. And as seen time and again with Marvel-style storytelling, sometimes it’s that final surprise that keeps the conversation going long after the credits stop rolling.

 

For almost a half-century, Itama has focused on doing one thing extremely well: the high-performance open-top yacht. While the sizes have swelled, the Italian watercraft range’s blend of speedy seaworthiness and understated style are ever present, and now, a third factor has been added to the mix: livability.

The Roman boat brand founded by Mario Amati (“Imata” being an anadrome of his last name) benefits from its position among Riva and Pershing within Ferretti Group‘s portfolio, as the Ferretti Group Engineering Department and Product Strategy Committee, led by Piero Ferrari, constantly evolve their yacht companies without sacrificing a shred of the heritage that earned them such elevated status. In the case of the Itama 70, the 68-foot open yacht has been designed to maximize “livable” space through a new layout and integrated features.

The yacht retains Itama’s classic silhouette and the deep-V hull that provides exceptional stability at speed in choppy waters, but it introduces modern updates first seen on the Itama 54, including a bow sundeck and full-length hull windows. The main deck of course features the larger, signature Itama sundeck and a starboard passageway for boarding. The cockpit includes a U-shaped dining area with a teak table and a wet bar equipped with a sink and refrigerator—the area can be converted to a sun-soaked chaise longue if desired. The helm station is positioned on the port side with seating for two. To improve flow, the entrance to the lower deck is located on the far starboard side, while bow access remains central.

The lower deck, conceived by venerated design firm IdeaelItalia, is where the livability factor is most prominently showcased. Belying its 68-foot length, there are three spacious cabins below: a master cabin is at aft, a VIP cabin at forward, and a third guest cabin on the port side features a queen bed—all three get their own en-suites. Amazingly, there’s even room for a sleekly furnished corner galley and dinette. To improve accessibility, the design team eliminated all steps on the lower level.

The Itama 70 is powered by twin MAN V12 engines—the kings of hi-po luxury yacht powerplants. The standard 1,400-horsepower configuration reaches a top speed of 37 knots (43 mph) and a cruising speed of 33 knots (38 mph). An optional 1,550-hp setup increases the top speed to 39 knots (45 mph) and cruising speed to 35 knots (40 mph), according to preliminary data.

Itama didn’t list a price, but feel free to learn more or inquire about a commission here.

 

Clunes told a London audience about his depiction in ‘Power: The Downfall of Huw Edwards’: “[It’s] my version of him. That’s what it was ever going to be. But there’s enough out there, isn’t there? We watched him every night.” 

Rosalía launched her highly anticipated Lux Tour 2026 on March 16, serving up a 25-song set to a sold-out crowd at the LDLC Arena in Lyon, France. The performance marks the start of the Grammy-winning Spanish singer’s most ambitious headlining trek to date, supporting her latest studio album, Lux.

The opening night show featured a career-spanning setlist that integrated the avant-garde pop and classical influences of the new record alongside her biggest global hits. The launch comes just weeks after the sometime Calvin Klein underwear model won International Artist of the Year at the 2026 Brit Awards. Her appearance at that ceremony notably featured a collaboration with Björk for the song “Berghain” that quickly went viral, racking up more than ten million views on YouTube alone.

Lux is Rosalía’s most successful release thus far, topping the Spotify Global Top Albums Chart and securing the highest streaming debut for a female Spanish-language artist in the history of the platform. The 57-date arena tour is scheduled to visit 17 countries over the next six months. Following the Lyon opener, the tour moves to Paris for a two-night stand and includes extensive stops throughout Europe, North America, and Latin America, visiting major cities such as London, New York, and Mexico City before concluding September 3 in San Juan, Puerto Rico.

While many dates are sold out, limited tickets are still available through Rosalía’s official website. Check out the dates below.

Rosalía: LUX 2026 Tour Dates

Europe

• March 16: Lyon, France – LDLC Arena
• March 18: Paris, France – Accor Arena
• March 20: Paris, France – Accor Arena
• March 22: Zurich, Switzerland – Hallenstadion
• March 25: Milan, Italy – Unipol Forum
• March 30: Madrid, Spain – Movistar Arena
• April 01: Madrid, Spain – Movistar Arena
• April 03: Madrid, Spain – Movistar Arena
• April 04: Madrid, Spain – Movistar Arena
• April 08: Lisbon, Portugal – MEO Arena
• April 09: Lisbon, Portugal – MEO Arena
• April 13: Barcelona, Spain – Palau Sant Jordi
• April 15: Barcelona, Spain – Palau Sant Jordi
• April 17: Barcelona, Spain – Palau Sant Jordi
• April 18: Barcelona, Spain – Palau Sant Jordi
• April 22: Amsterdam, Netherlands – Ziggo Dome
• April 23: Amsterdam, Netherlands – Ziggo Dome
• April 27: Antwerp, Belgium – AFAS Dome
• April 29: Cologne, Germany – Lanxess Arena
• May 01: Berlin, Germany – Uber Arena
• May 05: London, United Kingdom – The O2
• May 06: London, United Kingdom – The O2

North America

• June 04: Miami, FL – Kaseya Center
• June 06: Miami, FL – Kaseya Center
• June 08: Orlando, FL – Kia Center
• June 11: Boston, MA – TD Garden
• June 13: Toronto, ON – Scotiabank Arena
• June 16: New York, NY – Madison Square Garden
• June 17: New York, NY – Madison Square Garden
• June 20: Chicago, IL – United Center
• June 23: Houston, TX – Toyota Center
• June 27: Las Vegas, NV – T-Mobile Arena
• June 29: Los Angeles, CA – Kia Forum
• July 01: Los Angeles, CA – Kia Forum
• July 03: San Diego, CA – Pechanga Arena
• July 06: Oakland, CA – Oakland Arena

Latin America & Caribbean

• July 16: Bogotá, Colombia – Movistar Arena
• July 18: Bogotá, Colombia – Movistar Arena
• July 24: Santiago, Chile – Movistar Arena
• July 25: Santiago, Chile – Movistar Arena
• July 27: Santiago, Chile – Movistar Arena
• July 29: Santiago, Chile – Movistar Arena
• August 01: Buenos Aires, Argentina – Movistar Arena
• August 02: Buenos Aires, Argentina – Movistar Arena
• August 04: Buenos Aires, Argentina – Movistar Arena
• August 06: Buenos Aires, Argentina – Movistar Arena
• August 10: Rio de Janeiro, Brazil – Farmasi Arena
• August 11: Rio de Janeiro, Brazil – Farmasi Arena
• August 15: Guadalajara, Mexico – Arena VFG
• August 16: Guadalajara, Mexico – Arena VFG
• August 19: Monterrey, Mexico – Arena Monterrey
• August 22: Mexico City, Mexico – Palacio de los Deportes
• August 24: Mexico City, Mexico – Palacio de los Deportes
• August 26: Mexico City, Mexico – Palacio de los Deportes
• August 28: Mexico City, Mexico – Palacio de los Deportes
• August 29: Mexico City, Mexico – Palacio de los Deportes
• September 03: San Juan, Puerto Rico – Coliseo de Puerto Rico

 

Recent public appearances by Harry Styles and Zoë Kravitz have once again drawn attention, as the two were spotted spending time together during a casual outing in New York City. Observers noted that the pair appeared relaxed and at ease, walking closely and sharing smiles, which has contributed to renewed discussion about their relationship.

Their latest sighting adds to a series of public moments that have kept them in the spotlight over the past several months. The two were first linked in August 2025, when they were reportedly seen holding hands, prompting speculation about a possible relationship. Shortly after, Styles was also seen spending time with Kravitz and her father, Lenny Kravitz, a development that led some observers to interpret the connection as becoming more serious. While neither Styles nor Kravitz has publicly confirmed the nature of their relationship, their repeated appearances together have continued to generate interest.

During their recent outing, both maintained understated yet distinctive personal styles. Styles opted for a layered, casual look, wearing a navy jacket over a black hoodie paired with black sweatpants. He completed the outfit with white socks, black Adidas Samba sneakers, a black beanie, sunglasses, and wired earphones. His clothing choices reflected a balance between comfort and his signature sense of style, which has often attracted attention both on and off stage.

Kravitz, known for her minimalist and fashion-forward aesthetic, chose a similarly relaxed yet polished outfit. She wore a long green coat over black jeans and boots, accessorizing with a blue knit cap and sunglasses. Her decision to go without noticeable makeup contributed to a natural, effortless appearance. She also carried a small black leather jacket, adding a layered element to her look. Together, their outfits reflected a coordinated yet unintentional sense of ease, aligning with the informal nature of their outing.

Harry and Zoë out and about in New York City – 16 March pic.twitter.com/fbptt5e5CO

— HS Candids (@hsdcandids) March 17, 2026

Beyond their personal lives, Styles continues to remain in the public eye for his professional achievements. His latest album, Kiss All the Time. Disco, Occasionally., has reportedly performed strongly across multiple markets. According to available reports, the album reached the top position on the Billboard 200 chart in the United States and recorded significant first-week sales. It has also achieved commercial success in several other countries, reinforcing Styles’ position as a globally recognized music artist.

The timing of these sightings has contributed to increased public curiosity, as they coincide with Styles’ ongoing musical success. For Kravitz, who has maintained a steady presence in both film and fashion, the attention reflects her continued relevance in popular culture. While she has generally kept her personal life private, her appearances with Styles have brought renewed focus to her off-screen life.

Despite the widespread interest, much about their relationship remains unconfirmed. Public appearances alone do not necessarily indicate the full nature of a personal connection, and both individuals have largely avoided addressing the speculation directly. This has left room for interpretation, with audiences relying primarily on visual cues from such outings.

Overall, the recent sighting highlights how moments of everyday life can quickly become subjects of global attention, particularly when involving widely recognized figures. Whether viewed as a casual outing between friends or as part of a developing relationship, the appearance of Styles and Kravitz continues to capture public interest, illustrating the ongoing fascination with celebrity interactions in contemporary media.

 

The unveiling of the first extended footage from Dune: Part Three turned into a high-profile event in Los Angeles, drawing an audience of journalists, critics, and digital creators. Director Denis Villeneuve, while introducing the film’s cast on stage, remarked that the scale of the gathering felt more like a premiere than a traditional trailer launch. The event highlighted the anticipation surrounding the final installment of the filmmaker’s ambitious science fiction trilogy.

Several returning and new cast members attended the presentation, including Zendaya, Javier Bardem, Anya Taylor-Joy, and Robert Pattinson. Lead actor Timothée Chalamet, who portrays Paul Atreides, was not present in person but addressed the audience through a recorded video message. In his remarks, Chalamet acknowledged Villeneuve’s role in shaping the trilogy, describing the project as a significant cinematic achievement and expressing appreciation for the director’s commitment to completing the story.

During the event, Zendaya reflected on her journey with the franchise, noting that her involvement in the films spanned much of her twenties. She described the experience as personally meaningful, emphasizing how the project has been closely tied to her growth as an actor. Her character, Chani, continues to play a central role in the narrative, particularly as the story explores the evolving relationship between her and Paul.

Villeneuve also shared insights into his decision to proceed directly with the third installment. Initially, he had considered working on a different project before returning to the “Dune” universe. However, the global response to the previous film influenced his choice. He recounted large-scale screenings that demonstrated strong audience enthusiasm, which ultimately created a sense of responsibility to complete the trilogy without delay.

The upcoming film draws inspiration from Dune Messiah, the novel by Frank Herbert. The story takes place after Paul Atreides rises to power, defeating his enemies and assuming the role of Emperor. As the narrative unfolds, it examines the consequences of his leadership, including the political and personal challenges that accompany his position. His decision to marry Princess Irulan, played by Florence Pugh, for strategic reasons becomes a pivotal development, particularly as it creates tension with Chani.

The footage screened at the event provided glimpses of both large-scale conflict and more intimate character moments. It opens with a quieter scene between Paul and Chani, where they discuss potential names for their future children. This interaction introduces an element of foreshadowing that long-time followers of the series may recognize. As the teaser progresses, the tone shifts toward the broader consequences of Paul’s actions, including the onset of a wider conflict fueled by his rise to power.

Themes of internal struggle and moral complexity are central to the preview. Paul is depicted grappling with the burden of leadership, expressing concerns about the escalating cycle of violence. In one moment, he seeks guidance from his mother, Lady Jessica, portrayed by Rebecca Ferguson, highlighting the contrast between his situation and that of his father.

The teaser also offers brief looks at other returning characters, including Bardem’s Stilgar and Taylor-Joy’s Alia Atreides. Additionally, audiences were introduced to Pattinson’s character, Scytale, whose appearance suggests a significant antagonistic role in the film. Although limited dialogue was revealed for this character, the visual presentation hints at a complex and potentially influential presence in the story.

The footage concludes with an image of Paul preparing for another confrontation, underscoring the ongoing tension between his personal desires and his responsibilities as a leader. The closing line reinforces the idea that his journey is far from over, even as he faces increasing challenges.

Overall, the preview event offered insight into the tone and direction of the final chapter, suggesting a narrative that balances large-scale spectacle with deeper exploration of character and consequence.

 

Top 10 Highest-Grossing Bollywood Films Of 2026 At The Indian Box Office
Smitten by the box office bug? Don’t miss reading our compilation of the top 10 Bollywood/Hindi grossers of 2026.
Last updated: March 18, 2026

Rank
Movie Name
India Total
(INR Cr)
Release Year

1
Border 2
362.72
2026

2
O’Romeo
83.29
2026

3
Mardaani 3
53.01
2026

4
The Kerala Story 2
50.03
2026

5
Ikkis
36.25
2026

6
Assi
11.38
2026

7
Do Deewane Seher Mein
7.97
2026

8
Tu Yaa Main
7.2
2026

9
Rahu Ketu
6.37
2026

10
Happy Patel
6.2
2026

1
Dhurandhar
894.49
2025

2
Chhaava
615.39
2025

3
Saiyaara
337.69
2025

4
Mahavatar Narsimha
247.96
2025

5
War 2
244.29
2025

6
Kantara: Chapter 1 (Hindi)
224.53
2025

7
Housefull 5
198.41
2025

8
Raid 2
179.3
2025

9
Sitaare Zameen Par
166.58
2025

10
Thamma
157.04
2025

1
Pushpa 2 (Hindi)
836.09
2024

2
Stree 2
627.50
2024

3
Kalki 2898 AD (Hindi)
295.00
2024

4
Bhool Bhulaiyaa 3
281.56
2024

5
Singham Again
270.60
2024

6
Fighter
215.00
2024

7
Shaitaan
151.00
2024

8
Munjya
108.00
2024

9
Crew
90.00
2024

10
Teri Baaton Mein Aisa Uljha Jiya
87.00
2024

1
Jawan
640.42
2023

2
Animal
554.00
2023

3
Pathaan
543.22
2023

4
Gadar 2
525.50
2023

5
Tiger 3
286.00
2023

6
The Kerala Story
238.27
2023

7
Dunki
232.00
2023

8
Rocky Aur Rani Kii Prem Kahaani
153.30
2023

9
Salaar (Hindi)
152.00
2023

10
OMG 2
150.00
2023

1
KGF Chapter 2 (Hindi)
434.62
2022

2
Avatar: The Way of Water
386.90
2022

3
RRR (Hindi)
277.00
2022

4
The Kashmir Files
252.50
2022

5
Brahmastra
268.00
2022

6
Drishyam 2
240.59
2022

7
Bhool Bhulaiyaa 2
185.57
2022

8
Gangubai Kathiawadi
128.89
2022

9
Doctor Strange in the Multiverse of Madness
126.94
2022

10
Thor: Love And Thor
101.45
2022

1
Spider-Man: No Way Home
212.00
2021

2
Sooryavanshi
195.00
2021

3
Pushpa (Hindi)
106.00
2021

4
83
102.00
2021

5
Godzilla vs. Kong
46.58
2021

6
Antim
37.55
2021

7
Chandigarh Kare Aashiqui
28.50
2021

8
Tadap
24.80
2021

9
Bell Bottom
26.50
2021

10
Roohi
25.87
2021

1
Tanhaji: The Unsung Warrior
279.50
2020

2
Baaghi 3
97.32
2020

3
Street Dancer 3D
75.00
2020

4
Shubh Mangal Zyada Saavdhan
62.50
2020

5
Malang
59.04
2020

6
Love Aaj Kal
37.74
2020

7
Chhapaak
34.13
2020

8
Thappad
32.00
2020

9
Bhoot: Part One- The Haunted Ship
31.24
2020

10
Panga
28.92
2020

1
War
319.00
2019

2
Kabir Singh
278.24
2019

3
Uri – The Surgical Strike
244.06
2019

4
Bharat
209.36
2019

5
Housefull 4
206.00
2019

6
Good Newwz
201.14
2019

7
Mission Mangal
200.16
2019

8
Total Dhamaal
154.30
2019

9
Kesari
153.00
2019

10
Chhichhore
150.36
2019

1
Sanju
341.22
2018

2
Padmaavat
300.00
2018

3
Simmba
240.22
2018

4
2.0 (Hindi)
188.00
2018

5
Race 3
169.00
2018

6
Baaghi 2
165.00
2018

7
Thugs Of Hindostan
145.29
2018

8
Badhaai Ho
136.80
2018

9
Stree
129.21
2018

10
Raazi
123.17
2018

1
Baahubali 2: Hindi
511.30
2017

2
Tiger Zinda Hai
339.16
2017

3
Golmaal Again
205.72
2017

4
Judwaa 2
138.00
2017

5
Raees
137.51
2017

6
Toilet: Ek Prem Katha
134.25
2017

7
Kaabil
126.85
2017

8
Tubelight
121.25
2017

9
Jolly LLB 2
117.00
2017

10
Badrinath Ki Dulhania
116.60
2017

1
Dangal
387.39
2016

2
Sultan
300.45
2016

3
M.S. Dhoni: The Untold Story
133.04
2016

4
Airlift
129.00
2016

5
Rustom
127.42
2016

6
Ae Dil Hai Mushkil
112.50
2016

7
Housefull 3
107.70
2016

8
Shivaay
100.35
2016

9
Fan
85.00
2016

10
Baaghi
76.00
2016

1
Bajrangi Bhaijaan
320.34
2015

2
Prem Ratan Dhan Payo
207.40
2015

3
Bajirao Mastani
184.00
2015

4
Tanu Weds Manu Returns
152.00
2015

5
Dilwale
148.00
2015

6
Baahubali: The Beginning
120.00
2015

7
ABCD 2
105.74
2015

8
Baby
95.50
2015

9
Welcome Back
94.87
2015

10
Singh Is Bliing
90.25
2015

1
PK
339.50
2014

2
Kick
233.00
2014

3
Happy New Year
205.00
2014

4
Bang Bang
181.03
2014

5
Singham Returns
141.00
2014

6
Holiday
112.65
2014

7
Jai Ho
111.00
2014

8
Ek Villain
105.50
2014

9
2 States
104.00
2014

10
Humpty Sharma Ki Dulhania
76.81
2014

1
Dhoom 3
280.25
2013

2
Krrish 3
240.50
2013

3
Chennai Express
226.70
2013

4
Yeh Jawaani Hai Deewani
190.03
2013

5
Ramleela
110.00
2013

6
Bhaag Milkha Bhaag
103.50
2013

7
Grand Masti
102.50
2013

8
Race 2
102.00
2013

9
Aashiqui 2
85.40
2013

10
Special Chabbis (26)
70.00
2013

1
Ek Tha Tiger
198.00
2012

2
Dabangg 2
158.50
2012

3
Rowdy Rathore
131.00
2012

4
Agneepath
123.00
2012

5
Jab Tak Hai Jaan
120.65
2012

6
Barfi!
120.00
2012

7
Housefull 2
114.00
2012

8
Son Of Sardaar
105.03
2012

9
Bol Bachchan
102.00
2012

10
Talaash
93.00
2012

1
Bodyguard
142.00
2011

2
Ready
120.00
2011

3
Ra.One (All versions)
118.00
2011

4
Don 2 (All versions)
100.00
2011

5
Singham
100.00
2011

6
Zindagi Na Milego Dobara
90.00
2011

7
The Dirty Picture
85.00
2011

8
Rockstar
71.00
2011

9
Mere Brother Ki Dulhan
58.00
2011

10
Yamla Pagla Deewana
55.00
2011

1
Dabangg
139.00
2010

2
Golmaal 3
106.30
2010

3
Raajneeti
93.75
2010

4
My Name Is Khan
80.00
2010

5
Housefull
74.40
2010

6
Tees Maar Khan
60.87
2010

7
Once Upon A Time In Mumbaai
55.50
2010

8
Kites
49.30
2010

9
Veer
46.10
2010

10
I Hate Luv Storys
43.15
2010

1
3 Idiots
202.00
2009

2
Love Aaj Kal
67.00
2009

3
Ajab Prem Ki Ghazab Kahani
63.00
2009

4
Wanted
60.50
2009

5
De Dana Dan
48.50
2009

6
Kambakkht Ishq
47.25
2009

7
New York
45.75
2009

8
Kaminey
42.00
2009

9
All The Best – Fun Begins
41.75
2009

10
Blue
39.00
2009

1
Ghajini
114.00
2008

2
Rab Ne Bana Di Jodi
85.50
2008

3
Singh Is Kinng
68.50
2008

4
Race
61.75
2008

5
Jodha Akbar
57.00
2008

6
Jaane Tu.. Ya Jaane Na
56.68
2008

7
Golmaal Returns
51.90
2008

8
Dostana
45.00
2008

9
Bachna Ae Haseeno
36.70
2008

10
Sarkar Raj
34.31
2008

1
Om Shanti Om
79.50
2007

2
Welcome
71.25
2007

3
Chak De India
67.50
2007

4
Taare Zameen Par
62.50
2007

5
Partner
61.00
2007

6
Bhool Bhulaiyaa
50.00
2007

7
Heyy Babyy
48.00
2007

8
Guru
46.50
2007

9
Ta Ra Rum Pum
39.25
2007

10
Namastey London
38.00
2007

1
Dhoom 2
81.00
2006

2
Lage Raho Munnabhai
75.00
2006

3
Krrish
72.00
2006

4
Rang De Basanti
53.00
2006

5
Fanaa
52.00
2006

6
Don – The Chase Begins Again
51.00
2006

7
Kabhi Alvida Na Kehna
44.50
2006

8
Phir Hera Pheri
41.00
2006

9
Bhagam Bhag
40.50
2006

10
Vivah
31.60
2006

1
No Entry
45.00
2005

2
Bunty Aur Babli
36.50
2005

3
Garam Masala
29.50
2005

4
Mangal Pandey
28.00
2005

5
Salaam Namaste
26.30
2005

6
Maine Pyaar Kyu Kiya?
25.80
2005

7
Sarkar
25.00
2005

8
Dus
23.50
2005

9
Black
23.30
2005

10
Waqt – The Race Against Time
20.50
2005

1
Veer Zaara
43.00
2004

2
Main Hoon Na
37.00
2004

3
Dhoom
32.50
2004

4
Mujhse Shaadi Karogi
30.00
2004

5
Khakee
26.50
2004

6
Lakshya
24.25
2004

7
Hum Tum
22.25
2004

8
Masti
21.00
2004

9
Hulchul
20.80
2004

10
Aitraaz
16.25
2004

1
Koi Mil Gaya
47.25
2003

2
Kal Ho Naa Ho
38.60
2003

3
The Hero – Love Story Of A Spy
26.50
2003

4
Munnabhai M.B.B.S
23.20
2003

5
Baghban
20.70
2003

6
Chalte Chalte
19.50
2003

7
Main Prem Ki Diwani Hoon
17.90
2003

8
L.O.C Kargil
17.70
2003

9
Qayamat
17.50
2003

10
Andaaz
16.00
2003

1
Devdas
42.50
2002

2
Raaz
22.00
2002

3
Kaante
21.00
2002

4
Aankhen
18.00
2002

5
Humraaz
17.00
2002

6
Awara Paagal Deewana
16.50
2002

7
Saathiya
15.50
2002

8
Company
14.25
2002

9
Hum Tumhare Hain Sanam
13.00
2002

10
Maa Tujhe Salaam
13.75
2002

1
Gadar – Ek Prem Katha
77.00
2001

2
Kabhi Khushi Kabhie Gham
55.80
2001

3
Lagaan
34.50
2001

4
Indian
24.30
2001

5
Dil Chahta Hai
20.10
2001

6
Jodi No. 1
19.00
2001

7
Chori Chori Chupke Chupke
18.50
2001

8
Ek Rishtaa – The Bond Of Love
17.90
2001

9
Mujhe Kucch Kehna Hai
17.40
2001

10
Ajnabee
17.10
2001

1
Kaho Naa Pyaar Hai
45.00
2000

2
Mohabbatein
43.00
2000

3
Mission Kashmir
24.00
2000

4
Dulhan Hum Le Jaayege
19.50
2000

5
Josh
18.50
2000

6
Refugee
18.00
2000

7
Har Dil Jo Pyaar Karega
16.25
2000

8
Badal
16.00
2000

9
Hamara Dil Aapke Paas Hai
15.50
2000

10
Fiza
15.25
2000

1
Hum Saath Saath Hain
40.00
1999

2
Biwi No 1
26.00
1999

3
Hum Dil De Chuke Sanam
25.00
1999

4
Taal
22.00
1999

5
Sarfarosh
19.00
1999

6
Mann
17.25
1999

7
Hum Aapke Dil Mein Rehte Hain
17.00
1999

8
Kachche Dhaage
16.50
1999

9
Haseena Maan Jaayegi
15.50
1999

10
Baadshah
15.25
1999

1
Kuch Kuch Hota Hai
47.00
1998

2
Soldier
21.50
1998

3
Pyaar To Hona Hi Tha
21.25
1998

4
Bade Miyan Chote Miyan
19.50
1998

5
Pyaar Kia To Darna Kya
18.50
1998

6
Satya
14.50
1998

7
Ghulam
13.50
1998

8
Major Saab
13.25
1998

9
Dulhe Raja
13.00
1998

10
Bandhan
12.25
1998

1
Border
39.60
1997

2
Dil Toh Pagal Hai
35.00
1997

3
Ishq
25.00
1997

4
Pardes
22.90
1997

5
Ziddi
18.50
1997

6
Gupt
18.30
1997

7
Hero No. 1
17.20
1997

8
Koyla
15.00
1997

9
Judaai
14.20
1997

10
Deewana Mastana
13.70
1997

1
Raja Hindustani
45.00
1996

2
Agni Sakshi
19.85
1996

3
Jeet
16.50
1996

4
Ghatak
15.75
1996

5
Khiladiyon Ka Khiladi
15.00
1996

6
Saajan Chale Sasural
15.00
1996

7
Bandit Queen
14.50
1996

8
Jaan
10.50
1996

9
Ajay
9.75
1996

10
Diljale
9.50
1996

1
Dilwale Dulhania Le Jayenge
53.50
1995

2
Karan Arjun
25.30
1995

3
Raja
20.50
1995

4
Rangeela
20.30
1995

5
Barsaat
20.00
1995

6
Coolie No. 1
12.60
1995

7
Sabse Bada Khiladi
9.50
1995

8
Ram Jaane
8.70
1995

9
Trimurti
8.70
1995

10
Gambler
7.20
1995

1
Hum Aapke Hain Kaun
71.00
1994

2
Mohra
13.00
1994

3
Krantiveer
9.50
1994

4
Raja Babu
8.00
1994

5
Main Khiladi Tu Anari
6.50
1994

6
Aatish
6.00
1994

7
Suhaag
5.50
1994

8
Dilwale
5.25
1994

9
Laadla
5.00
1994

10
Anjaam
4.99
1994

1
Darr
12.75
1993

2
Khalanayak
12.00
1993

3
Aankhen
12.00
1993

4
Tirangaa
9.25
1993

5
Baazigar
7.75
1993

6
Damini
6.50
1993

7
Shatranj
3.10
1993

8
Bedardi
2.90
1993

9
Tadipaar
2.35
1993

10
Santaan
2.20
1993

1
Beta
13.50
1992

2
Deewana
8.00
1992

3
Khuda Gawah
6.75
1992

4
Shola Aur Shabnam
6.25
1992

5
Tahelka
6.00
1992

6
Vishwatma
5.50
1992

7
Jigar
5.25
1992

8
Bol Radha Bo
5.00
1992

9
Angaar
4.50
1992

10
Khiladi
4.00
1992

1
Saajan
10.00
1991

2
Hum
9.50
1991

3
Saudagar
9.00
1991

4
Phool Aur Kaante
6.50
1991

5
Sadak
6.25
1991

6
Sanam Bewafa
6.00
1991

7
Akayla
5.00
1991

8
Henna
4.50
1991

9
Dil Hai Ke Maanta Nahin
4.25
1991

10
Narsimha
4.00
1991

1
Dil
11.00
1990

2
Ghayal
10.00
1990

3
Aaj Ka Arjun
7.50
1990

4
Agneepath
6.50
1990

5
Kishen Kanhaiya
5.50
1990

6
Thanedaar
5.00
1990

7
Baaghi
4.50
1990

8
Baap Numbri Beta Dus Numbri
3.50
1990

9
Police Public
3.00
1990

10
Jeevan Ek Sanghursh
2.75
1990

1
Maine Pyar Kiya
14.00
1989

2
Ram Lakhan
9.50
1989

3
Tridev
8.75
1989

4
Daata
7.00
1989

5
Chandni
6.00
1989

1
Tezaab
8.00
1988

2
Shahenshah
6.25
1988

3
Qayamat Se Qayamat Tak
5.00
1988

4
Paap Ki Duniya
4.90
1988

5
Khoon Bhari Maang
4.50
1988

1
Hukumat
5.75
1987

2
Mr. India
5.50
1987

3
Khudgarz
5.25
1987

4
Aag Ki Aag
4.75
1987

5
Nazrana
4.00
1987

1
Karma
7.00
1986

2
Nagina
4.75
1986

3
Aakhree Raasta
4.25
1986

4
Naam
4.00
1986

5
Ilzaam
3.50
1986

1
Ram Teri Ganga Maili
9.50
1985

2
Mard
8.00
1985

3
Pyar Jhukta Nahin
4.50
1985

4
Ghulami
4.00
1985

5
Saagar
3.75
1985

1
Tohfa
4.75
1984

2
Maqsad
4.50
1984

3
Sharaabi
4.25
1984

4
Mashaal
3.75
1984

5
Dharm Aur Qanoon
3.50
1984

1
Coolie
9.50
1983

2
Betaab
7.00
1983

3
Hero
6.50
1983

4
Himmatwala
6.25
1983

5
Andhaa Kanoon
5.25
1983

6
Mawaali
5.00
1983

7
Nauker Biwi Ka
4.75
1983

8
Justice Chaudhary
4.50
1983

9
Jaani Dost
4.25
1983

10
Nastik
4.00
1983

1
Vidhaata
8.50
1982

2
Prem Rog
7.00
1982

3
Namak Halaal
6.25
1982

4
Khud-Daar
5.25
1982

5
Farz Aur Kanoon
5.00
1982

6
Nikaah
4.75
1982

7
Satte Pe Satta
4.50
1982

8
Shakti
4.25
1982

9
Rajput
4.00
1982

10
Desh Premee
3.75
1982

1
Kranti
10.50
1981

2
Naseeb
7.50
1981

3
Meri Awaaz Suno
6.75
1981

4
Lawaaris
6.25
1981

5
Love Story
6.00
1981

6
Ek Duje Ke Liye
5.25
1981

7
Kaatilon Ke Kaatil
4.25
1981

8
Kaalia
4.00
1981

9
Yaarana
3.75
1981

10
Rocky
3.00
1981

1
Qurbani
6.25
1980

2
Aasha
5.50
1980

3
Ram Balram
5.00
1980

4
Dostana
4.75
1980

5
Shaan
4.50
1980

6
Jyoti Bane Jwala
3.60
1980

7
The Burning Train
3.50
1980

8
Ali Baba Aur 40 Chor
3.20
1980

9
Karz
3.00
1980

10
Judaai
2.60
1980

1
Suhaag
5.00
1979

2
Jaani Dushman
4.50
1979

3
Sargam
4.00
1979

4
Mr Natwarlal
3.35
1979

5
Kala Patthar
3.10
1979

6
Kartavya
2.75
1979

7
Noorie
2.50
1979

8
The Great Gambler
2.25
1979

9
Surakksha
1.85
1979

10
Khandaan
1.70
1979

1
Muqaddar Ka Sikandar
9.00
1978

2
Trishul
5.75
1978

3
Don
3.80
1978

4
Azaad
3.25
1978

5
Main Tulsi Tere Aangan Ki
3.00
1978

6
Swarg Nark
2.75
1978

7
Kasme Vaade
2.60
1978

8
Ganga Ki Saugandh
2.50
1978

9
Satyam Shivam Sundaram
2.25
1978

10
Phandebaaz
2.15
1978

1
Amar Akbar Anthony
8.00
1977

2
Dharam Veer
7.00
1977

3
Hum Kisise Kum Naheen
4.50
1977

4
Parvarish
4.00
1977

5
Chacha Bhatija
3.75
1977

6
Khoon Pasina
2.75
1977

7
Apnapan
2.50
1977

8
Inkaar
2.00
1977

9
Dulhan Wahi Jo Piya Man Bhaye
1.90
1977

10
Dream Girl
1.60
1977

1
Dus Numbri
4.75
1976

2
Laila Majnu
4.50
1976

3
Nagin
3.75
1976

4
Hera Pheri
3.25
1976

5
Charas
3.00
1976

6
Fakira
2.50
1976

7
Kaalicharan
2.40
1976

8
Kabhie Kabhie
2.30
1976

9
Adalat
2.00
1976

10
Maa
1.75
1976

1
Sholay
15.50
1975

2
Jai Santoshi Maa
5.00
1975

3
Deewar
4.75
1975

4
Sanyasi
3.75
1975

5
Pratiggya
15.50
1975

6
Dharmatma
2.50
1975

7
Khel Khel Mein
2.25
1975

8
Warrant
2.00
1975

9
Rafoo Chakkar
1.75
1975

10
Chori Mera Kaam
1.60
1975

1
Roti Kapada Aur Makaan
5.50
1974

2
Chor Machaye Shor
3.50
1974

3
Dost
2.75
1974

4
Prem Nagar
2.50
1974

5
Bidaai
2.25
1974

6
Amir Garib
2.20
1974

7
Roti
2.10
1974

8
Patthar Aur Payal
2.00
1974

9
Aap Ki Kasam
1.75
1974

10
Haath Ki Safaai
1.60
1974

1
Bobby
6.00
1973

2
Jugnu
4.00
1973

3
Daag
3.50
1973

4
Zanjeer
3.25
1973

5
Yaadon Ki Baraat
3.00
1973

6
Kahani Kismet Ki
2.75
1973

7
Loafer
2.50
1973

8
Dharma
2.25
1973

9
Heera
2.00
1973

10
Aa Gale Lag Ja
1.75
1973

1
Seeta Aur Geeta
3.50
1972

2
2 Pakeezah
3.25
1972

3
Raja Jani
2.75
1972

4
Beimaan
2.50
1972

5
Gora Aur Kala
2.25
1972

6
Apna Desh
2.20
1972

7
Victoria 203
2.10
1972

8
Jawani Diwani
1.75
1972

9
Samadhi
1.60
1972

10
Rampur Ka Lakshman
1.50
1972

1
Haathi Mere Saathi
3.50
1971

2
Mera Gaon Mera Desh
3.00
1971

3
Dushman
2.75
1971

4
Maryada
2.25
1971

5
Andaz
2.00
1971

6
Kati Patang
1.90
1971

7
Caravan
1.80
1971

8
Hare Rama Hare Krishna
1.70
1971

9
Sharmilee
1.30
1971

10
Mela
1.20
1971

1
Johny Mera Naam
4.50
1970

2
Sachaa Jhutha
3.00
1970

3
Aan Milo Sajna
2.75
1970

4
Purab Aur Paschim
2.50
1970

5
Jeevan Mrityu
2.25
1970

6
Khilona
2.00
1970

7
Sharafat
1.75
1970

8
Humjoli
1.60
1970

9
Safar
1.50
1970

10
Tum Haseen Main Jawan
1.45
1970

1
Aradhana
3.50
1969

2
Do Raaste
3.25
1969

3
Ek Phool Do Mali
2.50
1969

4
Prince
2.00
1969

5
Inteqaam
1.75
1969

6
Jeene Ki Raah
1.60
1969

7
Aaya Sawan Jhoom Ke
1.50
1969

8
Bandhan
1.40
1969

9
Jigri Dost
1.35
1969

10
Sajan
1.30
1969

1
Aankhen
3.35
1968

2
Do Kaliyan
2.05
1968

3
Neel Kamal
1.80
1968

4
Kanyadaan
1.70
1968

5
Shikar
1.55
1968

6
Padosan
1.40
1968

7
Brahmachari
1.25
1968

8
Aadmi
1.00
1968

9
Haseena Maan Jayegi
0.95
1968

10
Duniya
0.90
1968

1
Upkar
3.50
1967

2
Ram Aur Shyam
3.00
1967

3
Farz
2.70
1967

4
Hamraaz
2.50
1967

5
Shagird
2.25
1967

6
Jewel Thief
2.00
1967

7
Milan
1.75
1967

8
An Evening In Paris
1.50
1967

9
Patthar Ke Sanam
1.40
1967

10
Meharbaan
1.25
1967

1
Phool Aur Patthar
3.00
1966

2
Suraj
2.75
1966

3
Mera Saaya
2.50
1966

4
Teesri Manzil
2.25
1966

5
Love In Tokyo
2.00
1966

6
Do Badan
1.75
1966

7
Aaye Din Bahar Ke
1.50
1966

8
Sawan Ki Ghata
1.25
1966

9
Pyar Kiye Jaa
1.00
1966

10
Dus Lakh
0.90
1966

1
Waqt
3.50
1965

2
Jab Jab Phool Khile
3.00
1965

3
Himalay Ki God Mein
2.50
1965

4
Arzoo
2.25
1965

5
Guide
2.00
1965

6
Jaanwar
1.75
1965

7
Khandaan
1.50
1965

8
Gumnaam
1.40
1965

9
Mere Sanam
1.25
1965

10
Kaajal
1.20
1965

1
Sangam
4.50
1964

2
Ayee Milan Ki Bela
2.50
1964

3
Dosti
2.25
1964

4
Ziddi
2.00
1964

5
Rajkumar
1.60
1964

6
Kashmir Ki Kali
1.40
1964

7
Haqeeqat
1.25
1964

8
Zindagi
1.00
1964

9
April Fool
0.95
1964

10
Woh Kaun Thi
0.90
1964

1
Mere Mehboob
3.25
1963

2
Taj Mahal
2.00
1963

3
Phir Wohi Dil Laya Hoon
1.60
1963

4
Gumrah
1.40
1963

5
Dil Ek Mandir
1.25
1963

6
Tere Ghar Ke Saamne
1.00
1963

7
Shikari
0.90
1963

8
Mujhe Jeene Do
0.80
1963

9
Gehra Daag
0.70
1963

10
Bandini
0.65
1963

1
Bees Saal Baad
1.50
1962

2
Ek Musafir Ek Haseena
1.25
1962

3
Professor
1.00
1962

4
Hariyali Aur Raasta
0.95
1962

5
Asli Naqli
0.90
1962

6
Dil Tera Diwana
0.85
1962

7
Anpadh
0.80
1962

8
Aarti
0.75
1962

9
China Town
0.70
1962

10
Sangeet Samrat Tansen
0.65
1962

1
Ganga Jamuna
4.00
1961

2
Junglee
2.00
1961

3
Gharana
1.50
1961

4
Aas Ka Panchi
1.00
1961

5
Jab Pyar Kisi Se Hota Hai
0.90
1961

6
Sasural
0.85
1961

7
Hum Dono
0.80
1961

8
Kabuliwala
0.70
1961

9
Zindagi Aur Khwab
0.60
1961

10
Shola Aur Shabnam
0.55
1961

1
Mughal E Azam
6.00
1960

2
Barsaat Ki Raat
2.00
1960

3
Kohinoor
1.75
1960

4
Chaudvin Ka Chand
1.25
1960

5
Jis Desh Mein Ganga Behti Hai
1.00
1960

6
Dil Apna Aur Preet Parayi
0.90
1960

7
Love In Simla
0.85
1960

8
Ghunghat
0.80
1960

9
Kanoon
0.75
1960

10
Kala Bazaar
0.70
1960

1
Anari
2.00
1959

2
Paigham
1.50
1959

3
Navrang
1.30
1959

4
Dhool Ka Phool
1.10
1959

5
Goonj Uthi Shehnai
1.00
1959

6
Dil Deke Dekho
0.90
1959

7
Sujata
0.65
1959

8
Chhoti Behen
0.60
1959

9
Chirag Kahan Roshni Kahan
0.55
1959

10
Love Marriage
0.50
1959

1
Madhumati
2.25
1958

2
Chalti Ka Naam Gaadi
1.50
1958

3
Yahudi
1.25
1958

4
Phir Subah Hogi
1.00
1958

5
Sadhna
0.90
1958

6
Phagun
0.80
1958

7
Parvarish
0.70
1958

8
Kala Pani
0.65
1958

9
Howrah Bridge
0.55
1958

10
Dilli Ka Thug
0.50
1958

1
Mother India
4.50
1957

2
Naya Daur
2.50
1957

3
Pyaasa
1.75
1957

4
Do Aankhen Barah Haath
1.50
1957

5
Tumsa Nahin Dekha
1.25
1957

6
Paying Guest
1.00
1957

7
Asha
0.90
1957

8
Bhabhi
0.75
1957

9
Sharada
0.60
1957

10
Musafir
0.50
1957

1
CID
1.4
1956

2
Ek Hi Raasta
1.2
1956

3
Chori Chori
1
1956

4
Basant Bahar
0.9
1956

5
New Delhi
0.8
1956

6
Rajhath
0.7
1956

7
Bhai Bhai
0.6
1956

8
Toofan Aur Diya
0.5
1956

9
Funtoosh
0.45
1956

10
Inspector
0.4
1956

1
Shree 420
2.10
1955

2
Azaad
1.60
1955

3
Jhanak Jhanak Payal Baje
1.25
1955

4
Udan Khatola
1.15
1955

5
Mr & Mrs 55
0.95
1955

6
Insaaniyat
0.80
1955

7
Munimji
0.70
1955

8
Seema
0.65
1955

9
Baradari
0.60
1955

10
Devdas
0.55
1955

1
Nagin
1.50
1954

2
Nastik
1.30
1954

3
Taxi Driver
1.10
1954

4
Mirza Ghalib
1.00
1954

5
Aar Paar
0.90
1954

6
Jagriti
0.80
1954

7
Shart
0.70
1954

8
Boot Polish
0.60
1954

9
Amar
0.50
1954

10
Adhikar
0.40
1954

1
Anarkali
1.25
1953

2
Ladki
0.80
1953

3
Do Bigha Zameen
0.70
1953

4
Parineeta
0.60
1953

5
Footpath
0.55
1953

6
Jhamela
0.50
1953

7
Shikast
0.45
1953

8
Humsafar
0.40
1953

9
Aah
0.38
1953

10
Rahi
0.35
1953

1
Aan
1.50
1952

2
Baiju Bawra
1.30
1952

3
Jaal
1.15
1952

4
Daag
0.90
1952

5
Anhonee
0.80
1952

6
Maa
0.65
1952

7
Sangdil
0.55
1952

8
Nagina
0.45
1952

9
Bewafa
0.40
1952

10
Aandhiyan
0.35
1952

1
Awaara
1.35
1951

2
Baazi
1.10
1951

3
Albela
1.00
1951

4
Deedar
0.90
1951

5
Jadoo
0.80
1951

6
Bahaar
0.75
1951

7
Baadal
0.60
1951

8
Hum Log
0.50
1951

9
Afsana
0.45
1951

10
Hulchul
0.40
1951

1
Samadhi
0.8
1950

2
Babul
0.75
1950

3
Dastaan
0.7
1950

4
Jogan
0.65
1950

5
Har Har Mahadev
0.6
1950

6
Sangram
0.55
1950

7
Beqasoor
0.5
1950

8
Sargam
0.46
1950

9
Arzoo
0.45
1950

10
Aankhen
0.40
1950

1
Barsaat
1.25
1949

2
Andaz
1.10
1949

3
Mahal
0.90
1949

4
Dillagi
0.70
1949

5
Shabnam
0.60
1949

6
Badi Bahen
0.55
1949

7
Patanga
0.50
1949

8
Dulari
0.40
1949

1
Shaheed
0.80
1948

2
Chandralekha
0.75
1948

3
Pyaar Ki Jeet
0.65
1948

4
Mela
0.60
1948

5
Ziddi
0.45
1948

6
Nadiya Ke Paar
0.40
1948

7
Suhaag Raat
0.38
1948

8
11 O’Clock
0.35
1948

9
Gopinath
0.32
1948

10
Kajal
0.30
1948

1
Jugnu
0.50
1947

2
Do Bhai
0.45
1947

3
Sajan
0.42
1947

4
Dard
0.40
1947

5
Parwan
0.37
1947

6
Mirza Sahibaan
0.35
1947

7
Shehnai
0.32
1947

8
Elaan
0.30
1947

1
Anmol Ghadi
1.00
1946

2
ShahJehan
0.70
1946

3
Phulwari
0.50
1946

4
Omar Khayyam
0.40
1946

5
1857
0.35
1946

6
Omar Khaiyyam
0.33
1946

7
Neecha Nagar
0.32
1946

8
Chehra
0.30
1946

9
Jag Biti
0.28
1946

10
Shikari
0.25
1946

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