CelebVault.in

Song / Movie You & I
Singer DIVINE
Lyrics / Composed DIVINE, Anand Bakshi
Music / Mix & Master Ravator
Language Hindi
Translate in English
Lable / Presenting DIVINE

Check out You & I Song Lyrics by DIVINE

Mehbooba Mehbooba Mehbooba Mehbooba
Gulshan me gull Khilte hai Jab sehra me milte hai
Gulshan me gull Khilte hai Jab sehra me milte hai Main aur tu

Khadi samne wo lagti Khalifa Goa chalti to lagta hai Pizza
Dipika Jab dekhti wo sheesha Paparazi tu photo na kheechna
Photo kheech wo lagti bonita Photo kheech wo lagti deepika
Wo jab chalti wo lagti cheeta wo jab sane sab lage feeka

Mere sapno ki rani kab aayegi Dr Divine rakhta dawayi bhi
Tu aur teri dost mere sath mere bhai bhi bole kitna satayegi
Kab number milayegi Sirf hamko ghumayegi tu you & i tonight
me too girl

Han tera pyaar mera nasha mera shauk ho gaya
Tu kehti mujhe shot ho gaya aisa laga mujhe lock ho gaya
Aisa laga mujhe block ho gaya
tera pyaar mera nasha mera shauk ho gaya
Tu kehti mujhe shot ho gaya aisa laga mujhe lock ho gaya
Aisa laga mujhe block ho gaya

Khadi samne wo lagti Khalifa Goa chalti to lagta hai Pizza
Dipika Jab dekhti wo sheesha Paparazi tu photo na kheechna
Photo kheech wo lagti bonita Photo kheech wo lagti deepika
Wo jab chalti wo lagti cheeta wo jab sane sab lage feeka

Mehbooba Mehbooba Mehbooba Mehbooba
Gulshan me gull Khilte hai Jab sehra me milte hai
Gulshan me gull Khilte hai Jab sehra me milte hai Main aur tu

Wo banna chati wife hai milna chati chai pe
De dunga main de dunga dummy han you like it
Dono karte vibe hai baki sab hai side me
Kabhi ham mumbai to kabhi ham dubai me

Dedunga tujhe shine teri chittiya kayi pe
Baki main Divine baki tere liye wo child hai
Stay you are my grind tere sirf time hai
stay you are my mind meri vibe beauty fine hai

Han meri jaan meri jaan kab janegi tu
Mat maan pareshan fir mere jane pe tu
Paisa mere pas me kamane bhi dun

meri jaan meri jaan kab janegi tu
Mat maan pareshan fir mere jane pe tu
Paisa mere pas me kamane bhi dun

Khadi samne wo lagti Khalifa Goa chalti to lagta hai Pizza
Dipika Jab dekhti wo sheesha Paparazi tu photo na kheechna
Photo kheech wo lagti bonita Photo kheech wo lagti deepika
Wo jab chalti wo lagti cheeta wo jab sane sab lage feeka

Mehbooba Mehbooba Mehbooba Mehbooba
Gulshan me gull Khilte hai Jab sehra me milte hai
Gulshan me gull Khilte hai Jab sehra me milte hai Main aur tu

When the dhol hides the dard. There’s a strange truth someone once told me — and once it enters your brain, it refuses to leave – हममें से बहुत लोग उन गानों पर नाचते हैं जो असल में दर्द की कहानी सुना रहे होते हैं। Not symbolic pain. Literal heartbreak. And no one masks this emotional contradiction better than Daler Mehndi.

We grew up thinking he only made high-energy bhangra — but listen closely, translate honestly — and suddenly you realise we’ve been dancing on someone else’s emotional collapse for decades. Take “हो जाएगी बल्ले बल्ले”. On the surface it’s a full-blown celebration. The moment “बल्ले बल्ले हो गई…” hits, uncles who haven’t bent their knees since 1998 suddenly discover muscle memory.

BUT the verses? They’re basically the diary of a man who’s had enough of heartbreak. He literally warns you – “इश्क़ बिमारी… इश्क़ ने कर देना साड्डी सीरत खराब” (Love is a disease… Love will ruin who you are.)

Right after we jump on the hook, he confesses – “इश्क़ दे चक्कर विच, नींद गवानी पैणी रो रो के रह जाणे…” (In the madness of love, you’ll lose your sleep, you’ll cry alone.) Imagine that. We’re doing bhangra to a man telling us we’ll lose sleep and cry over love.

And then comes the killer line — the one nobody hears on the dance floor – “हसन तेरे खो जाणा, रोणे बेबे कल्ले कल्ले…” (Your laughter will fade, and you’ll be left crying… alone.) But by then the DJ has already turned up the volume, and the crowd is too busy shouting “वउउउ!” to notice this is actually a breakup monologue in disguise.

This is the invisible Punjabi magic – ढोल का शोर दर्द की आवाज़ दबा देता है। And this runs across Punjabi folk and pop. A beat may sound like a celebration, but the lyrics carry centuries of longing, loss, regret, and loneliness.

Take Dardi Rab Rab Kardi – People scream “ओ हो हो!” when it plays — not realising the man is literally singing – “दर्दी रब रब करदी… मेनू दर्द समझ ना आया…” (She keeps calling out to God in pain… I never understood her sorrow.)

Or think of all the folk hooks remixed today. Lines women originally sang in quiet courtyards — about missing their partners, handling responsibility alone, feeling unseen — now sit on top of EDM drops and nightclub lights. We dance to tragedy without translation.

Sometimes I imagine a Punjabi DJ with subtitles on a screen – “ये लाइन एक ऐसे आदमी की है जिसे रात भर नींद नहीं आती।” Half the baraat would freeze mid-step.

But maybe this contradiction is exactly why these songs survive. In Punjabi emotion, दर्द और ढोल साथ-साथ चलते हैं. Pain is meant to be felt, not escaped — and also danced through, not surrendered to.

So the next time “बल्ले बल्ले हो गई…” erupts at a wedding and an uncle launches his jacket into orbit, just remember – you might be watching an entire room dance to a warning that says – “इश्क़ बिमारी… रोने पे बी काले काले…” Love is a disease… and you’ll end up crying… alone.

But who’s stopping? By then, the beat has already taken over.

The historical epic marks the first production at Qiddiya City’s newly opened 50-acre film complex, part of Saudi Arabia’s expanding network of production hubs offering a 40 percent filming incentive. 

From a teenage crorepati to a global philanthropist, his life is a remarkable journey of fortune, failure, and an extraordinary comeback few could have predicted. Long before he entered cinema, he had already achieved the kind of financial success most only dream of—earning Rs 1 crore at 16 and Rs 12 crore by 19. Years later, he would go on to portray a ruthless villain opposite a top Tamil star. Today, his impressive net worth and his past romance with a former Miss World continue to keep him in the limelight.

The man behind this dramatic story is Vivek Oberoi, who played the antagonist in Ajith’s Vivegam. Although he now appears across Tamil, Malayalam, and Telugu cinema, Vivek Oberoi was once among Bollywood’s most promising leading actors.

He became an overnight sensation with his debut film Company, followed by a streak of hits that cemented his stardom. The son of veteran actor Suresh Oberoi, Vivek entered the industry with a strong lineage but quickly proved his own merit through films like Saathiya, Yuva, Omkara, Shootout at Lokhandwala, and Kurbaan.

However, his trajectory changed dramatically after a controversial 2003 press conference. Rumours of his relationship with Aishwarya Rai, soon after her breakup with Salman Khan, led to a confrontation in which Vivek claimed Salman had threatened him. Speaking harshly about the superstar had lasting consequences—his film offers began to decline sharply, and at one point he did not appear in any film for nearly three years.

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A post shared by Vivek Oberoi (@vivekoberoi)

As his career slowed, Vivek turned his attention to business. Coming from a financially strong background, he revealed that he had founded a stock exchange company at 19, raising Rs 12 crore, and later sold it at 23 for major profits. Today, he works 16 hours a day and manages ventures in real estate, entertainment, and finance, with nine companies listed on the Indian stock market. Now based in Dubai, his real estate company is reportedly worth $7 billion and completely debt-free.

Vivek Oberoi’s personal net worth stands at Rs 1,200 crore. He proudly states that “God has given me enough wealth to take care of many generations.” He also highlights the impact of NRIs, who contribute $136 billion to India annually, and shares that he has personally raised nearly $40 million (Rs 358 crore) over the past decade for charity.

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