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The latest trailer for Disclosure Day, Steven Spielberg’s extraterrestrial epic starring Emily Blunt as a Midwest meteorologist, offers additional insight into the oddities featured in the chilling first look. For instance, it’s revealed that the strange glottal stops the character emits while clamming up during the delivery of an on-air weather report are actually an alien language understood by co-star Josh O’Connor’s character, the man who promises to disclose a “truth that will upend all established order across the entire world.”

More revealing than the trailer, though, are comments made by Spielberg during a Hilton Austin panel at SXSW. The legendary director has made several blockbuster movies exploring various types of relationships between aliens and humans ranging from curiously friendly to belligerent, including 1977’s Close Encounters of the Third Kind, 1982’s E.T. the Extra-Terrestrial, and 2005’s War of the Worlds. Disclosure Day marks his directorial return to the subject for the first time in 20 years—and the latest indulgence in a topic that’s fascinated him for most of his 79 years.

“I’ve always believed, even as a kid, that we weren’t alone,” Spielberg told the SXSW crowd, according to Deadline. “That just goes without saying. The big question is, are we alone now? And have we been alone over the last 80 years? And really, have we been alone over the last 3,000 years?”

Of all his otherworldly movies, Disclosure Day is the most topical, as it explores  “the social dislocation that could occur, theologically, if it would be announced that there’s not only evidence, there’s interaction that has been going on for decades that we are just now finding out about.”

Discourse over the subject has reached a fever pitch in the past few months. In February, President Donald Trump directed that the Pentagon and other government agencies identify and release files related to extraterrestrials and UFOs. In March, reports began circulating that 40 new whistleblowers, including intelligence officers, are scheduled to provide protected testimony to the U.S. on topics including the existence of UFO crash retrievals. Former President Obama also added to the fervor on recent appearance on No Lie with Brian Tyler Cohen by claiming that aliens are “real” in a statistical sense.

“When President Obama made that comment, I thought, ‘Oh my god, this is so great for “Disclosure Day.” This is amazing,’” Spielberg said of Obama’s comments. “Then two days later, he stepped back the comments and said what he believed in was life in the cosmos—which, of course, everybody should believe in. Because no one should ever think that we are the only intelligent civilization in the entire universe.”

“All of you here should read about this and see the plethora of documentaries about this dating back to 2018,” Spielberg added. “I don’t know any more than any of you do, but I have a very strong suspicion that we are not alone here on Earth right now.”

As Colman Domingo, who plays a soon-to-be-vindicated conspiracy theorist in the film, says in the latest trailer: “When the time is right, everything will become clear.” Disclosure Day arrives in theaters and IMAX on June 12.

During a Q&A at CPH:DOX in Copenhagen, co-directors Efraín Mojica and Rebecca Zweig discussed the use of Super 8 footage and stylized, almost music video-ish, sequences. 

As Irish talent landed nominations across this year’s Oscars, producers back home say the green wave is no accident — it’s the result of sustained government investment and a deep well of homegrown creative talent. 

Actor Hrithik Roshan has long been associated with action-packed films and physically demanding roles. However, despite his reputation for high-energy performances, the actor has openly stated that he does not support the idea of actors performing dangerous stunts themselves. In an earlier interview with Lehren TV, Roshan shared his perspective on stunt work and explained why he believes such tasks should be left to trained professionals.

During the conversation, Roshan spoke candidly about the risks involved in performing complex action sequences. He expressed the view that actors attempting their own stunts can be unnecessary and potentially dangerous. According to him, the practice should not be driven by ego or the desire to prove toughness on screen. Instead, he believes filmmaking is a collaborative effort where specialists contribute their expertise to create a convincing cinematic experience.

Roshan argued that films are carefully constructed illusions in which multiple departments work together to build a believable world. Elements such as makeup, costumes, dialogue and cinematography are all designed to make fictional stories appear real. In the same way, stunt performers play an essential role in crafting action sequences safely and effectively.

The actor explained that stunt professionals are specifically trained for high-risk physical tasks. In his view, when actors attempt those tasks themselves, it can undermine the purpose of having specialists on set. Roshan compared the situation to other aspects of filmmaking, saying it would be similar to an actor insisting on writing their own dialogue simply to prove a point.

According to Roshan, each person on a film set contributes a specific piece to the overall production. Stunt performers, he said, are responsible for executing dangerous sequences that require precision, experience and physical conditioning. Their role helps ensure that action scenes are both visually impressive and safe for everyone involved.

Interestingly, Roshan himself has appeared in several films known for elaborate action sequences. One of the most notable examples is the superhero franchise that began with Koi… Mil Gaya. The film eventually expanded into the Krrish series, which became one of Bollywood’s most recognised superhero franchises. The series later included Krrish 3, which featured large-scale action scenes and visual effects.

Despite his reservations about actors performing their own stunts, Roshan has occasionally attempted certain action sequences himself during his career. One such moment occurred during the production of Krrish. According to filmmaker Rakesh Roshan, who is also Hrithik’s father, one particular stunt sequence almost turned dangerous during filming.

The scene involved Roshan’s character jumping from one building to another while suspended by a harness. During the stunt, the harness reportedly snapped unexpectedly, causing the actor to fall from a considerable height. The incident could have resulted in serious injury, but Roshan fortunately escaped without major harm.

The near accident later became one of the examples often cited when discussing the risks associated with actors performing dangerous stunts. It reinforced the argument that such sequences require careful planning, specialised equipment and experienced stunt teams.

Roshan’s comments on stunt work highlight an ongoing debate within the film industry. Some actors choose to perform their own action scenes to enhance realism or connect more directly with their characters. Others prefer to rely on stunt doubles and professional coordinators to minimise risks during filming.

Over the course of his career, Roshan has balanced physically demanding roles with strong dramatic performances. The actor made his Bollywood debut with the blockbuster Kaho Naa… Pyaar Hai, directed by Rakesh Roshan. The film was a major commercial success and helped establish him as one of the leading actors in Hindi cinema.

Since then, Roshan has appeared in several widely recognised films across different genres. Among them are historical drama Jodhaa Akbar, the coming-of-age film Zindagi Na Milegi Dobara, and the biographical drama Super 30. Each project has contributed to his reputation as a versatile performer capable of handling both action-driven roles and character-focused stories.

Through his remarks about stunt work, Roshan emphasised the importance of recognising the expertise of professionals behind the scenes. His perspective reflects the idea that filmmaking relies on teamwork, with each specialist contributing to the final result that audiences see on screen.

There are sounds in Bollywood that feel instantly familiar. A soft whistle before a romantic line, a playful tune that makes a song feel lighter, or that stylish intro that tells you something cool is about to begin. You’ve heard these moments countless times. You’ve probably even hummed them. But chances are, you never stopped to ask a simple question—who is actually creating that sound?

The answer, in more cases than most people realise, is Nagesh Surve.

He is not a singer you see on stage or a composer whose name flashes in big letters. He is a specialist, someone whose art sits quietly inside the music. Since the mid-1970s, starting with Julie and the song “Dil Kya Kare,” Surve has contributed to over 1,600 songs. That number alone should make him a household name. But it didn’t.

Part of the reason is simple. His work doesn’t look like work to the average listener. It sounds effortless. His whistling is so clean, so controlled, that many people assume it is a flute or a programmed sound. It blends into the music so perfectly that it disappears into it. And when something disappears into the experience, we stop noticing the person behind it.

But think about the songs you already know. The easy, breezy flow of “Chand Sifarish” from Fanaa, the playful energy of “Yeh Ladka Hai Deewana” from Kuch Kuch Hota Hai, the light, romantic feel of “Are Re Are” from Dil To Pagal Hai, or the instantly recognisable whistle that defines the attitude of Dhoom 2. These are not small details. These are defining parts of how those songs feel. Remove that whistle, and the memory of the song changes.

That is the scale of Surve’s contribution. He has not just added to songs. He has shaped how we remember them.

And yet, he remained largely unknown because Bollywood does not always celebrate what it cannot see. We celebrate faces, voices we can attach to faces, and names that are repeated often enough. But artists like Surve exist in a different space. Their work is essential, but their identity is optional for the audience. The industry credits them. The audience absorbs them.

What makes this even more striking is the level of skill involved. Whistling at Surve’s level is not casual talent. It is serious breath control. It requires holding air, controlling pitch, maintaining rhythm, and expressing emotion without words. In simple terms, it is as demanding as singing—just without lyrics to hide behind.

And this is where the contrast becomes impossible to ignore.

When Shankar Mahadevan released “Breathless,” people were amazed by the idea of controlling breath so precisely that a song could flow without a pause. It became a moment. A talking point. A performance that people could see, admire, and attach to a name and a face.

But breath control did not begin there, and it did not exist only in that format.

For decades, Nagesh Surve has been doing something just as demanding. He has been shaping melodies, sustaining notes, and creating emotion using nothing but controlled breath. The difference is not in the skill. The difference is in how it is presented. One was visible, explained, and celebrated. The other was hidden inside songs, taken for granted, and rarely questioned.

That difference is everything.

It is also why his story feels both inspiring and slightly unfair. Inspiring because it shows how far pure skill and dedication can go. Unfair because recognition did not follow in the same way.

Even today, many people discover him with a sense of surprise. Not because his work is new, but because their awareness is. Suddenly, songs they have loved for years feel different. Suddenly, there is a person behind that sound.

And maybe that is the real point of telling his story now.

Because sometimes, the industry does not fail to credit people on paper. It fails to bring them into public memory.

Nagesh Surve was always there. In the background, in the details, in the parts of songs that made you smile without knowing why.

And the irony is hard to miss.

When breath became a performance, the world stopped and applauded.
When breath became part of the music, the world simply listened and moved on.

One became a name.
The other became a feeling.

And for decades, we remembered the feeling… but forgot to ask who gave it to us.

Good news for those who have been keeping up with Rob Kardashian even after the reality TV star stopped appearing in Keeping Up With the Kardashians scenes a decade ago. 
He’s potentially ready to…
 

Actor and entrepreneur Vivek Oberoi recently addressed concerns surrounding the broader Middle East situation, particularly the ongoing tensions linked to the Israel–Iran conflict. Speaking about life and business in Dubai, the actor said that the situation in the emirate remains largely stable despite global perceptions of instability.

Oberoi, who has been involved in several business ventures in the United Arab Emirates, said that many reports circulating internationally often exaggerate the impact of regional tensions on daily life in the city. While geopolitical developments continue to dominate headlines, he suggested that the experience on the ground in Dubai is markedly different.

At present, the actor is in India filming for the upcoming movie Spirit. However, he recently discussed his experiences in Dubai during an interview with Firstpost. During the conversation, Oberoi dismissed claims that the conflict has significantly disrupted business operations in the emirate. According to him, companies in Dubai have demonstrated resilience and adaptability while navigating the uncertain global climate.

Oberoi used a metaphor to explain his perspective on the situation. He said that while external observers often perceive instability, the environment within Dubai continues to function with confidence and purpose. In his view, businesses and residents in the city remain focused on long-term growth rather than reacting to short-term geopolitical developments.

He described Dubai as a place that continues to operate with strong momentum despite international uncertainty. According to Oberoi, the city’s markets remain active and corporate environments continue to display energy and determination. He suggested that this sense of stability comes from a broader collective belief among businesses and residents in the city’s long-term trajectory.

Oberoi also highlighted the role of governance in maintaining this environment. He credited the leadership of the United Arab Emirates for creating a framework that prioritises security, economic stability and long-term development. In his view, this governance model has helped ensure that residents continue to feel safe even during periods of geopolitical tension in the region.

Beyond business considerations, Oberoi spoke about the personal side of living in Dubai during uncertain times. The actor shared that he recently reunited with his family there, an experience that brought him relief after being away. According to him, the simple moment of returning home and seeing his children enjoying a board game provided a sense of calm and normalcy.

He explained that as a parent, the well-being and peace of mind of one’s family become the primary concern. Observing his children enjoying everyday activities reassured him that their lives remained unaffected by broader geopolitical developments.

Oberoi also addressed concerns about security in the city, noting that some people outside the region may misunderstand precautionary measures taken by authorities. According to him, actions taken by the government are often interpreted abroad as signs of fear, when in reality they represent proactive security planning.

He emphasised that the UAE’s security systems are designed to ensure safety for residents and visitors alike. In his view, the country’s leadership has succeeded in creating an environment where stability and unity remain priorities even when neighbouring regions face uncertainty.

Meanwhile, reports recently surfaced about an incident near Dubai International Airport involving a fire that occurred after a drone struck a fuel tank in the surrounding area. According to reports cited by The Indian Express, the event prompted authorities to temporarily suspend flight operations as a precautionary measure.

The Dubai Civil Aviation Authority later confirmed that flights had been briefly halted to ensure safety following the fire. Officials stated that the decision was part of routine emergency response procedures and emphasised that the suspension was temporary.

Authorities indicated that such precautionary steps form part of a broader security framework designed to respond quickly to potential risks. The situation was brought under control, and normal operations were expected to resume once safety checks were completed.

Oberoi’s comments reflect a broader perspective shared by many residents who continue to live and work in Dubai during a period of heightened regional tension. While geopolitical developments remain a concern across the Middle East, the actor suggested that everyday life in the emirate continues with relative normalcy.

Filmmaker and producer Karan Johar has often spoken openly about his personal life, including his journey as a single parent. The director welcomed his twins, Yash Johar and Roohi Johar, through surrogacy on February 7, 2017. Since then, Johar has frequently faced questions and criticism about raising children on his own. In a conversation with journalist Barkha Dutt, the filmmaker spoke candidly about the emotional impact of online comments and how he navigates the challenges of parenting in the public eye.

During the discussion, Johar explained that he has grown accustomed to dealing with criticism over the years, especially given his long career in the film industry. However, he admitted that some comments on social media have been particularly difficult to process. One remark questioning his decision to become a single parent left a deep emotional impact on him.

Johar recalled reading a comment that asked whether he realised he had “denied his children a mother.” The filmmaker said the statement affected him deeply and made him question his own choices. According to him, the remark was painful enough to bring him to tears. He remembered feeling overwhelmed that morning and struggling with doubts about whether he had made the right decision in becoming a single parent.

After reading the comment, Johar said he went into his children’s room and spoke to them. At the time, Yash and Roohi were around five years old. He asked them a simple question about whether they were happy. Their response, according to Johar, helped ease his concerns. The twins replied that they were happy because he was their “Dada,” a term they use to refer to him as their father. Johar said that moment reassured him and reaffirmed his decision to build a family in the way he had chosen.

The filmmaker also described how his relationship with social media criticism has evolved over time. In the early stages, Johar admitted he often reacted with anger to negative remarks and trolling. Later, he began to ignore such comments altogether. More recently, he said he sometimes views the criticism with a sense of detachment, even finding humour in some of the comments.

According to Johar, certain remarks are so elaborate and creative that they almost seem like carefully crafted writing. He has occasionally joked that people who spend time composing such comments could use their creativity in more constructive ways. Despite the constant scrutiny that comes with being a public figure, Johar said he remains focused on his priorities, which include his work and raising his children.

For Johar, parenthood has become one of the most meaningful aspects of his life. He has often spoken about the joy and responsibility that comes with raising Yash and Roohi. While the filmmaker manages a demanding professional schedule, he has said that spending time with his children and supporting their growth remains central to his daily routine.

Johar has also been open about another personal challenge that has shaped his outlook as a parent: body image concerns. The filmmaker has previously spoken about being teased during his teenage years for being overweight. Those experiences left a lasting impression and continue to influence how he thinks about health and self-esteem today.

Because of this, Johar admits that he sometimes worries about whether his children might face similar pressures. He has expressed concern about issues such as excessive sugar consumption, lack of physical activity, or weight gain. These worries are tied not only to health but also to the social pressures that children face today.

In another conversation with former tennis player Sania Mirza, Johar discussed how social media has intensified insecurities among young people. He pointed out that even schoolchildren now feel pressure to maintain a certain image online. According to Johar, some children already have social media accounts and worry about their appearance, clothing, or the number of followers they have.

He contrasted this with his own childhood, noting that earlier generations did not experience the same level of scrutiny. During his upbringing, Johar said there was far less emphasis on outward appearance or public validation. Today, however, digital platforms have created an environment where children are exposed to constant comparison.

Through his reflections, Johar highlighted the complexities of parenting in an era shaped by social media, public opinion and evolving family structures. While criticism remains part of his experience as a public figure, he emphasised that his focus continues to be on providing a supportive and loving environment for his children.

Veteran actor Navnindra Behl, known for her impactful work across theatre, television, and cinema, passed away on March 16 at the age of 76. Her death marks the end of a long and respected career that spanned decades and left a lasting impression on audiences and colleagues alike.

The news of her passing was confirmed by her son, filmmaker Kanu Behl, who shared an emotional tribute on social media. Posting a photograph of his mother on Instagram, Kanu expressed his grief and deep admiration for her, remembering her as a guiding force in his life. In a heartfelt message, he described her as his “Titan,” “faith,” and “mentor,” and spoke of the enduring impact she had on his soul. His words reflected not just the loss of a parent, but of a lifelong inspiration whose presence shaped both his personal and professional journey.

Members of the film industry were quick to respond with condolences and messages of support. Filmmaker Guneet Monga and director Anurag Kashyap were among those who reached out, offering their sympathies to Kanu during this difficult time. Fans and colleagues also took to social media to mourn the loss of the veteran actor, remembering her for her grace, talent, and dedication to the craft.

Navnindra Behl shared a long and meaningful partnership with her husband, Lalit Behl, a respected figure in theatre and cinema. Lalit Behl passed away in 2021 due to COVID-19-related complications, and together the couple had built a legacy rooted in artistic excellence and mentorship. Their contributions to Indian performing arts extended beyond acting, influencing generations of artists.

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Born with a passion for performance, Navnindra began acting at the remarkably young age of three. Her early exposure to theatre laid the foundation for a lifelong commitment to the arts. Even as she pursued higher education, her connection to drama remained strong. After completing her graduation, she joined the Drama department at Punjab University in Patiala as a lecturer, where she played a pivotal role in nurturing young talent.

During her academic career, she trained and mentored numerous aspiring actors, many of whom went on to establish themselves in theatre, television, and film. Her influence as a teacher was as significant as her on-screen work. She also served as the Director of the Audio-Visual Research Centre, a role supported by the University Grants Commission, where she contributed to advancing media education. With nearly 25 years of teaching experience, she imparted knowledge in production, direction, and acting, leaving behind a strong educational legacy.

Alongside her academic contributions, Navnindra continued to actively work in films and television. She collaborated with some of the most acclaimed filmmakers in the industry, including Gulzar in Maachis, Dibakar Banerjee in Oye Lucky! Lucky Oye!, and Vishal Bhardwaj in Gubbare. Her versatility also extended to international projects such as The Pride and The Guru, showcasing her ability to adapt across diverse storytelling formats.

For television audiences, she is perhaps best remembered for her role as Kalyani Singh Oberoi in the popular series Ishqbaaz. As the matriarch of the Oberoi family, her performance brought warmth, authority, and emotional depth to the show, which starred Nakuul Mehta and Surbhi Chandna. Her portrayal resonated strongly with viewers and remains one of her most iconic roles.

She also appeared in notable films such as Queen, where she played Kangana Ranaut’s grandmother, and Khufiya, further demonstrating her range as an actor capable of delivering memorable performances in both mainstream and offbeat cinema.

Navnindra Behl is survived by her son Kanu Behl, who has carved his own path as a filmmaker. He is best known for his films Agra and Despatch. His 2023 film Agra received widespread critical acclaim and won the Best Indie Film award at the Indian Film Festival of Melbourne, reflecting the creative legacy passed down from his parents.

Her passing leaves a void in the world of performing arts, but her contributions—as an actor, teacher, and mentor—will continue to inspire generations to come.

It was one of the most talked-about moments of the 98th edition of the Academy Awards when veteran actor Sean Penn was announced as the winner of Best Supporting Actor for his performance in One Battle After Another—but was notably absent to accept the honour in person. As presenter Kieran Culkin stepped in to receive the award on his behalf with humour and grace, the audience and viewers around the world were left wondering about Penn’s absence from Hollywood’s biggest night.

The mystery was resolved just hours later when a video surfaced online showing Sean Penn stepping off a train in Kyiv, far removed from the glamour of the Dolby Theatre, where the Oscars ceremony took place. The footage, shared by Ukraine’s state railway operator, revealed that the actor had chosen to travel to the war-affected country instead of attending the awards ceremony.

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According to officials, the trip had been kept confidential until his arrival for security reasons. In a statement accompanying the video, the railway operator highlighted Penn’s decision, noting that he had “chosen Ukraine over the Oscars,” a gesture that quickly drew global attention and admiration.

Later that day, Ukrainian President Volodymyr Zelenskyy shared a photograph of his meeting with Sean Penn at the presidential office in Kyiv. The image showed the two engaged in conversation, reflecting a continuation of Penn’s ongoing support for Ukraine amid its ongoing conflict with Russia. While specific details of their discussion were not disclosed, Zelenskyy expressed gratitude for Penn’s consistent advocacy.

“Sean, thanks to you, we know what a true friend of Ukraine is,” Zelenskyy wrote in a message shared on Telegram. He added that Penn had stood with Ukraine since the beginning of the full-scale war and continues to do so, reinforcing the actor’s reputation as a committed supporter of the country during its most challenging times.

Kyiv remains heavily fortified due to the ongoing conflict with Russia under President Vladimir Putin. Despite the risks, Sean Penn has made multiple visits to Ukraine over the past few years, demonstrating his continued solidarity. His involvement goes beyond symbolic gestures—he has actively worked to raise awareness about the war through filmmaking and public advocacy.

In 2023, Penn released a documentary on Russia’s invasion of Ukraine, further amplifying global attention on the crisis. His relationship with Zelenskyy, who himself transitioned from a career in entertainment to politics, has also been widely noted. In 2022, Penn even lent one of his own Oscar statuettes to Zelenskyy as a symbolic gesture of support, asking him to return it when Ukraine emerged victorious.

Meanwhile, Penn’s latest Oscar win marks a significant milestone in his illustrious career. With this victory, he becomes only the fourth male actor to win three Academy Awards for acting. He previously won Best Actor for his roles in Mystic River and Milk, both of which earned critical acclaim and cemented his standing as one of Hollywood’s most respected performers.

His third Oscar places him alongside legendary actors such as Daniel Day-Lewis, Jack Nicholson, and Walter Brennan, all of whom share the record for the most acting wins among male performers. The overall record, however, continues to be held by Katharine Hepburn, who won four Academy Awards during her career.

Sean Penn’s decision to forgo the ceremony in favour of visiting a war zone underscores a rare moment where global politics and cinema intersect. While many actors celebrate their achievements on the Oscars stage, Penn chose instead to use his platform to highlight a cause he deeply believes in—making his absence as impactful as his win.